French School

20th Century French Abstract Painting Black White & Grey Composition

Artist/ School: French expressionist/ abstract artist, 20th century, indistinctly signed Title: abstract/ expressionist composition Medium: oil painting on canvas, framed framed:...

Artist/ School: French Expressionist painter, circa 1970 Title: abstract expressionist composition Medium: oil painting on canvas, unframed canvas: 39.25 x 25.5 inches Provenance...

"Abstract Composition" by Sally Bradshaw (British, b.1962) oil painting on canvas signed verso painting: 15.5 x 20 inches Superb original modern abstract expressionist painting by the contemporary British painter...

Artist/ School: French School, contemporary, indistinctly signed Title: abstract composition Medium: signed oil/mixed media painting on canvas, unframed. canvas: 25.75 x 31.75...

Composition in Orange - French American Frédéric Choisel is inspired by the cities of France, New York and the Bay Area and creates elegant abstracti...

Oil and Aluminum Leaf on Canvas

Parallel Construction, oil on canvas, 48 x 54 in. Oonju Chun’s large abstract expressionist paintings delightfully employ the basics of good, nonobjective ...

Signed lower left. “Abstract and Fractured Biomorphic and Geometric Forms” which was painted in the mid to late 1950’s is a nod to Picasso’s famous painting Guernica, which Hart may have seen when it was given to the Museum of Modern Art in New York in 1958. Several elements in the painting clearly reference Guernica: the black geometric and cut-out shapes, the biomorphic shapes, the abstracted horse’s head and body, with a district reference to the bull’s tail, along with the black and white pallet choice and various details throughout-all hallmarks of Picasso’s Guernica. The abstracted reality Hart presents in these references go beyond a simple nod and reflect a personal interpretation reflected in the splintered abstraction and her bespoke interpretation. Agnes Hart’s first began her career as a social realist artist in the 1930’s. She was also WPA artist. Her longtime friend Milton Avery encouraged her, and she exhibited in the same gallery in the late 1940’s, the RoKo Gallery. Her instinctive and personalized modernist periods often reflected a similar path of her compatriot artists during the first half of the 20th century. Her early works were influenced by her teachers Josef Presser, Paul Burlin and Lucile Blanch, and Reginald Neal, and reflected historical modern trends-at times showing the influence of Avery and other modernist. Like Elaine DeKooning, Lee Kraser, Michael Corrine West...