Ellen Bradshaw

Carousel, Painting, Oil on Canvas

1996

This painting is based on a collage of cut-up photocopies of past works. I had a lot of fun creating this painting, as each time I set out to work on it, I always saw something new i...

This painting is the first of a series of paintings I did over a 90-day artist-in-residence program at the Palette 22 restaurant in Shirlington, Virginia. This piece is based on a co...

Spritual abstract artwork in a warm palette about the gratitude to the universe. Worked in several layers with positive energic brush strokes. Edges are painted in the continuity o...

Oil paint was initially pushed around in swirl-like motions with a palette knife. Over several months the canvas was layered with different patches of colour. This is part of the ar...

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...

"El Toro" Abstract Oil Painting 57" x 77" inch by Ashraf Zamzami Ashraf El Zamzami was a graduate of the Academy of Fine Arts in Minya, and he fast made a name for himself in the lo...

"Partnership" Abstract Oil Painting 54" x 81" inch by Ashraf Zamzami Ashraf El Zamzami was a graduate of the Academy of Fine Arts in Minya, and he fast made a name for himself in th...

'Echoes of the Avant-Garde: Mid-Century Visions III', oil on board (circa 1970s). Step into a world where the spirit of early 20th-century modernism meets the bold experimentation o...