Natalie Dunham

Black Square (grid minimalist textile design modern geometric thread wall art)

2019

“Iris Crystals” is a rich blue colored wall sculpture made out of solid koa wood and then painted and sealed with a UV matte sealer. The geometric facets are hand carved and add intr...

Chloe Hedden’s Dark Plum Excess from her Excess series exemplifies Excessivism through its sculptural use of thick, unrestrained paint. The deep plum hue, associated with luxury and ...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...