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Dan Christensen
Indian Summer

1983

About the Item

Dan Christensen (1942-2007) is widely recognized as one of America’s foremost abstract artist. Over the course his lengthy career, Christensen was devoted to exploring and expanding the constantly shifting aesthetics of 20th century abstraction. Christensen established his reputation at the end of the 1960s, by using spray guns to create colorful stacks, loops, and lines in his artworks. This body of work was considered by the legendary art critic Clement Greenberg among the most original abstract paintings of the decade. Unlike many of his contemporaries who dedicated themselves to a signature style, Christensen was unrelentingly curious and allowed his dynamic version of abstraction to evolve as he tried new techniques and varied his aesthetic. During the 1980's in particular, Christensen focused on experimenting with different forms of washing, spraying, and layering colours over top of each other. The works from Christensen's late period combine the gestural drama of Abstract Expressionism with the stained surface look popularized by the color field artists. The aesthetic complexity he achieved with these combined techniques are perfectly demonstrated in this later untitled work (aka "Indian Summer"). Starting with a opaque metallic background, Christensen offers a gestural arrangement in aqua and periwinkle blue, orange, currant red and lemon yellow. A closer inspection of this work reveals Christensen’s laborious scratching-into technique, carving lines into the paint to reveal the complexities of the layered colors. Over the course of Christensen's lengthy career, he has had numerous solo exhibitions in both galleries and renowned institutions across America and beyond. His works can be found in such museums including the Guggenheim, the Whitney, the Metropolitan, the MoMA, and the Albright-Knox Gallery, among many others. Questions about this piece? Contact us. Untitled ("Indian Summer") USA, 1983 Signed and dated by the artist Acrylic and mixed media on paper 30.25"H 22.75"W (work) Very good condition. Provenance: the Estate of Dan Christensen
  • Creator:
    Dan Christensen (1942 - 2007, American)
  • Creation Year:
    1983
  • Dimensions:
    Height: 32.25 in (81.92 cm)Width: 22.75 in (57.79 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Toronto, CA
  • Reference Number:
    Seller: 12-221stDibs: LU215211400212

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Dan Christensen "Mango Fizz", 2002
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Dan Christensen "Igloo", 1984
By Dan Christensen
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course his lengthy career, Christensen was devoted to exploring and expa...
Category

Early 2000s Abstract Expressionist Abstract Paintings

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Mixed Media, Acrylic

Dan Christensen "Sweaty", 2005
By Dan Christensen
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost abstract artists. Over the course of his career, Christensen was devoted to exploring and expanding the ...
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Early 2000s Abstract Expressionist Abstract Paintings

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Mixed Media, Acrylic

Spark
By Dan Christensen
Located in Toronto, Ontario
Dan Christensen (1942-2007) is recognized as a leader in American experimental abstraction. After completing his BFA at the Kansas City Art Institute in 1964, he moved to New York C...
Category

1980s Abstract Abstract Paintings

Materials

Mixed Media, Acrylic

Push
By Dan Christensen
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost abstract artists. Over the course his lengthy career, Christensen was devoted to exploring and expanding...
Category

Early 2000s Abstract Abstract Paintings

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Blue Splash
By Dan Christensen
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course of forty years as an artist, Christensen was devoted to exploring and expanding the constantly shifting trends of 20th century abstraction. Christensen established his reputation at the end of the 1960s, as began using spray guns to create colorful stacks, loops, and lines in his artworks. This body of work was considered by the legendary art critic Clement Greenberg among the most original abstract paintings of the decade. Unlike many of his contemporaries who dedicated their practice to a signature style, Christensen was unrelentingly curious and allowed his dynamic version of abstraction to evolve as he tried new techniques and aesthetics. During the 1980's and 1990's in particular, Christensen focused on experimenting with different forms of washing, spraying, and layering colours over top of each other. The works from Christensen's late period combine the gestural drama of Abstract Expressionism with the stained surface look popularized by the color field artists. The aesthetic complexity he achieved with these combined techniques are perfectly demonstrated in this later untitled work (aka "Blue...
Category

Late 20th Century Abstract Expressionist Abstract Paintings

Materials

Acrylic, Watercolor

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