Clifford Singer

Cut Space Series #34

2023

Golden Triangle is a complex integration of mathematical elements such as 36, 36, 72 degree angles through collinear intersects completing a geometric...

This painting is the basis for the Lincoln Center Poster done in 1991.

Clifford Singer. Spiral Series. 1988-1992.

Star Fighter evolved out of Clifford Singer's work during the 1980s using arcs and straight lines.

Line Formation I [2022] original Acrylic on Canvas Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:3cm Frame Size: H:84 cm x W:64 cm x D:5cm Sold...

Maggie LaPorte Banks. A cuppa at the cape 2 [2022] Signed by the artist Acrylic on canvas , printmaking, mixed medium Image size: H:76 cm x W:76 cm x D: 2cm Please note that insitu i...

Throwing Some Shapes I by Kerry Louise Bennett [2022] One of a small series of paintings exploring the dynamic and expressive shapes of pot plant...

Paul Brach (American, 1924-2007). Cluster #3 Acrylic on canvas with collage metal stars on it. Paul Henry Brach, (born March 13, 1924 in New York City - d.November 16, 2007 in Easthampton, New York) was an American abstract painter and a lecturer and educator. As an abstract painter Paul Brach exhibited his work in New York with the Leo Castelli Gallery, the Cordier & Eckstrom Gallery, and with the André Emmerich Gallery and then later with Flomenhaft Gallery. Paul Brach's estate is represented exclusively by Eric Firestone Gallery. Paul Brach was born in New York City and was raised in Brooklyn and the Bronx. He went to the University of Iowa where he studied painting with Grant Wood. He served in the US Army during World War II. After the war, he finished school in Iowa on the GI Bill. At the University of Iowa he met the artist Miriam Schapiro and in 1946 they married. By 1951 they moved back to New York City and befriended many of the artists in the downtown Abstract expressionist New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. He was associated with the New York print studio Atelier 17 (Stanley Hayter) During the early 1960s Brach had part-time teaching jobs at The New School, Cooper Union, The Parsons School of Design and Cornell University's New York City Program. In 1967 Brach and his wife Miriam Schapiro moved to Southern California. He became the Dean of the CalArts program in Los Angeles in 1969. As dean of the School of Art at the California Institute from 1969 to 1975, Mr. Brach hired John Baldessari, Allan Kaprow and the critic Max Kozloff, among others. He helped to create a freewheeling experimental atmosphere out of which emerged artists like David Salle, Eric Fischl, Barbara Bloom...