Charles Collins

House of Blues (Contemporary Abstract Painting)

2024

Collaged Scientific American articles, plaster, acrylic and graphite on handmade wooden panel. Artist's Statement: "Despite the advances we’ve made in technology, there’s something...

Artist's Statement: "Embracing the dynamism of a changing landscape as viewed through 'geologic time,' EARTH THROUGH TIME references 650 million years of transmutation in the Provid...

Collaged Scientific American articles, plaster, acrylic and graphite on handmade wooden panel Artist's Statement: Liquefaction describes the phenomenon whereby a saturated or parti...

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"Landscapes of the Soul and of the Mind XIX " is a 44 x 56 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is a gallery wrapped canvas, signed "Lachman" in the lower center. It is part of the artist's series "Landscapes of the Soul and of the Mind". The artist puts his thumb upon the pulse of life and records it. In that mystical beat lies the unknown, and he would but make it known. Being both, innovator and spectator, he exists as an intrinsic part of that rhythm. I try to approach each painting with a minimum of predigested information. I look at the world with the natural curiosity of a child, always looking for unique qualities that each new moment brings. Talent, I believe, is found in the ability to take risks, and with that in mind, I am continually willing to risk it all every time I paint. The most exciting paintings, for me, are the ones that balance a bold fresh approach with the sensitive and subtle workings of the heart and mind. - Al Lachman Born in 1936 in the Bronx, NY, Alan Lachman...

"Landscapes of the Soul and of the Mind XIV " is a 40 x 40 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is a gallery wrapped canvas, signed "Lachman" in the lower left. It is part of the artist's series "Landscapes of the Soul and of the Mind". The artist puts his thumb upon the pulse of life and records it. In that mystical beat lies the unknown, and he would but make it known. Being both, innovator and spectator, he exists as an intrinsic part of that rhythm. Each painting begins with a premise, and I rarely use the same one twice. It is based on what I see and what I am feeling at that moment. I do not think that painting is about technique. It is about a particular perception of the world around us. The premise creates the periphery of my intent. It is a limitation that gives birth to the creative forces within. - Al Lachman Born in 1936 in the Bronx, NY, Alan Lachman...

"Landscapes of the Soul and of the Mind XVII " is a 44 x 56 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is a gallery wrapped canvas, signed "Lachman" in the lower right. It is part of the artist's series "Landscapes of the Soul and of the Mind". The artist puts his thumb upon the pulse of life and records it. In that mystical beat lies the unknown, and he would but make it known. Being both, innovator and spectator, he exists as an intrinsic part of that rhythm. Each painting begins with a premise, and I rarely use the same one twice. It is based on what I see and what I am feeling at that moment. I do not think that painting is about technique. It is about a particular perception of the world around us. The premise creates the periphery of my intent. It is a limitation that gives birth to the creative forces within. - Al Lachman Born in 1936 in the Bronx, NY, Alan Lachman...

"Landscapes of the Soul and of the Mind XV " is a 40 x 40 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is a gallery wrapped canvas, signed "Lachman" in the lower left. It is part of the artist's series "Landscapes of the Soul and of the Mind". The artist puts his thumb upon the pulse of life and records it. In that mystical beat lies the unknown, and he would but make it known. Being both, innovator and spectator, he exists as an intrinsic part of that rhythm. Each painting begins with a premise, and I rarely use the same one twice. It is based on what I see and what I am feeling at that moment. I do not think that painting is about technique. It is about a particular perception of the world around us. The premise creates the periphery of my intent. It is a limitation that gives birth to the creative forces within. - Al Lachman Born in 1936 in the Bronx, NY, Alan Lachman...