Casey Haugh

Abstract 'Lotus' Monotype, Blue Pink Yellow Ink on Paper, by Casey Haugh

21st century

Untitled V by Alex Kuznetsov 2024 Acrylic on canvas 51.25" x 43.25" In a time when everything is loud, fast, and endlessly refreshed, Alex Kuznetsov makes paintings that do not w...

Lotus II by Casey Haugh, Represented by Tuleste Factory "So many of us all are constantly living in the past or busy planning the future, and that’s okay, but allow yourself to gaze...

Above us only sky (Abstract painting) Acrylic and spraypaint on un-stretched canvas - Unframed. Shipped rolled in a tube. This artwork is exclusive to Ideel...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white brushed with violet. Washes of red and orange fade into hot pink in this vibrant abstract painting by the artist. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...