Items Similar to Bob Seng, Exit 973RR, 2019, scraped, collaged, EXIT signs, 33” x 31”
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Bob SengBob Seng, Exit 973RR, 2019, scraped, collaged, EXIT signs, 33” x 31”2019
2019
About the Item
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture.
In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light, air, and water. They share joint awards from NYFA, MacDowell and Yaddo. Meanwhile in his own drawing practice, Seng continues to carve and scrape collages made from EXIT signs. In these works, EXITs watch their own disintegration and transformation into what “safe” place might lie beyond the ubiquitous sign. These have been shown throughout the Americas, in group exhibits in places as Pierogi and Flipside in Brooklyn, Another Year in LA, the Painting International Biennial in Guayquil, Ecuador, and more recently at Centotto in Bushwick, Talking Pictures in Bed-Stuy, and Sideshow in Williamsburg, Brooklyn.
These "carved" EXIT signs are built up by cutting, scraping, and collaging elements of readymade EXIT signs. They look backwards to analog times of labor, craft, marquetry, quilts, and forward to a new virtual EXIT.
Bob Seng came of age in the 1960’s, which was highly charged with wars, social unrest, and looming nuclear apocalypse. Graphic style was high contrast to match. Currently the artist feels a similar global tension. Media and politics are polarizing the lives of societies into black and white, black and red.
These redesigned EXIT signs offer possible destinations, maps, escape routes and strategies, while describing the overheated environment.
They are records of EXIT signs disintegrating and reforming into a place beyond the EXIT itself. Seng sees them as fragments, screen grabs of our world. They are a momentary diversion from our ongoing cataclysm.
- Creator:
- Creation Year:2019
- Dimensions:Height: 33 in (83.82 cm)Width: 31 in (78.74 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Darien, CT
- Reference Number:1stDibs: LU17224264542
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2014
1stDibs seller since 2015
143 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Darien, CT
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllAndra Samelson, Target Practice, 2016, Acrylic on Paper
By Andra Samelson
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Acrylic, Paper
Steven Baris, Chunkchain A11, 2019, oil on mylar, 14 x 14 inches
By Steven Baris
Located in Darien, CT
Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....
Category
2010s Abstract Geometric Abstract Paintings
Materials
Mylar, Oil
Steven Baris, Chunkchain A5, 2019, oil on mylar, 14 x 14 inches
By Steven Baris
Located in Darien, CT
Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....
Category
2010s Abstract Geometric Abstract Paintings
Materials
Mylar, Oil
Steven Baris, Chunkchain A7, 2019, oil on mylar, 14 x 14 inches
By Steven Baris
Located in Darien, CT
Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....
Category
2010s Abstract Geometric Abstract Paintings
Materials
Mylar, Oil
Steven Baris, Chunkchain A8, 2019, oil on mylar, 14 x 14 inches
By Steven Baris
Located in Darien, CT
Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....
Category
2010s Abstract Geometric Abstract Paintings
Materials
Mylar, Oil
Steven Baris, Chunkchain A3, 2019, oil on mylar, 14 x 14 inches
By Steven Baris
Located in Darien, CT
Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....
Category
2010s Abstract Geometric Abstract Paintings
Materials
Mylar, Oil
You May Also Like
"Clue #2", abstract sculpture, wood, paint, rubber tubes, found objects
Located in Toronto, Ontario
"Clue #2" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas ...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Rubber, Wood, Acrylic
"Maybe", abstract sculpture, wood, paint, geometry, circle, kiss, gravity, flow
Located in Toronto, Ontario
"Maybe" is an abstract artwork by Stan Olthuis composed of acrylic paint on polystyrene mounted in a painted wood frame. Maybe measures 26" high by 30" wide by 2.5" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The circles, the discs, almost touch but not quite. The artist's obsession with geometry and shapes in proximity is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint.
From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains."
Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies.
His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan.
Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Wood, Acrylic, Polystyrene
"Clue #4", abstract sculpture, wood, paint, rubber tubes, found objects
Located in Toronto, Ontario
"Clue #4" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas stretchers. Clue #4 measures...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Rubber, Wood, Acrylic
Silent Light
By Harold Town
Located in Toronto, Ontario
Harold Town (1924-1990) is renowned across Canada and beyond for his eclectic and dynamic body of work.
In the 1950s, Town established his reputation with a series of abstract mono...
Category
1960s Abstract Geometric Abstract Paintings
Materials
Canvas, Lucite, Oil
Code LI-M5. LED Installation Hi-tech Modern Geometric Abstract Art
By Oksana Tanasiv
Located in Norwalk, CT
LI-M5
This art is installation of plexiglass sheet on the deep 36"X36"X3" frame. The sides of the frame are mirror gold plexiglass. The front sheet is made of plexiglass and is orig...
Category
2010s Abstract Geometric Mixed Media
Materials
Stone
STREAM - mixed media geometric abstract painting in blue and yellow hues
By Heather Hartman
Located in Signal Mountain, TN
This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...
Category
2010s Abstract Geometric Mixed Media
Materials
Polyester, Oil, Wood Panel, Mesh
Recently Viewed
View AllMore Ways To Browse
Exit Sign
Bob Roberts Painting
Navy Quilt
War Quilt
Dali Plates
Black White Photography Naked
Japanese Art Print Flower
Picasso Art From 1964
Original World War One Posters
Cyanotype Photography
Disney Prints
Found Object Assemblage
Surreal Black And White Photography
Contemporary Male Nudes
Paper Dimensional Wall Art
South Africa Art Sculpture
Audrey Hepburn Signed
Black White Photography Of Plants