Andy Gradwell

'Wiltshire ' circa 2003. Signed original painting

2003

'Avon Walk' mixed media on paper circa 2012, signed Oak glazed frame 52.5cmx52.5cm painting 33cmx34cm Painted plein air outdoors during walking along the banks of the River Avon near...

'Hill Trek, Gallura' ,mixed media circa 2003. signed dry mounted 50cmx50cm. English oak old lime waxed glazed frame: 61cm x53cm Plein air study from the portfolio of his travels in ...

'Glastonbury Nights' painted at Glastonbury Festival Mixed media signed original painting circa 2005. An amalgamation of experience in time and place. Painted in an Expressionist ...

Positano, original signed painting by Andy Gradwell circa 2005 watercolour and pastel on paper 26cm x 36cm white glazed frame 43cm x 53cm An abstracted view of the coastal town and l...

Encouraged by spontaneity, this work uses line and texture to invigorate the painting’s picture plane in a way that is sudden and playful. In 1958, Wray embarked on a trip to Europe...

Encouraged by spontaneity, this work uses texture and saturated color to invigorate the painting’s picture plane in a way that is rugged and playful. Born in Houston, Texas in 1933...

Shawn Dulaney The Virtues IV Handmade paint on venetian plaster on paper, signed and titled verso 22 x 30 in. (sheet), 28 1/4 x 36 1/4 in. (frame). Shawn Dulaney’s paintings are layered constructions of color, spacious abstractions that read like cloud banks, flows of water, magnetic fields charged with monumental energy. Dulaney spent her childhood on a vast Colorado plateau looking west to the Rocky Mountains and has travelled widely, immersing herself in landscape. Her work captures the experience and feeling of place. Doug McClemont of ArtNews writes that Dulaney’s paintings “concern the earth, and the unyielding hand of nature”. Her work has been described by William Zimmer of The New York Times as belonging to “a very strong tradition, that of 19 th -century Northern European Romanticism in which nature was seen as corresponding to human emotional states.” He says of her work, “Ms. Dulaney makes it clear that her inner life is very much a part of each painting, and this alone distinguishes it from most abstraction…Shawn Dulaney is deliberately out for grandeur, but she is also out for intimacy. Her paintings take advantage of their innate ambiguity and declare themselves to be very current in the thinking that lies behind them.” "The kind of painting to which Ms. Dulaney's work is most closely related, at least superficially, is the Mark Rothko branch of Abstract Expressionism, in which a sense of deep space is sought." Dulaney makes handmade paints consisting of acrylic medium and powdered pigments allowing her to get a wide range of saturations and transparencies as they spread out on Venetian plaster and linen over panel. “Her surfaces”, as described by Dominick Lombardi-also of The New York Times, are “exquisitely painted and a pleasure to see.” Dulaney continues to travel between New York, the American Southwest, and the United Kingdom, as well as having recently been awarded the Pink House Artist Residency on the Beara Peninsula in Ireland. Her paintings capture the ephemeral and evoke the Celtic notion of a “thin place”, a place of energy where the veil between this world and the eternal is thin. A working artist for over 4 decades, Dulaney is represented by Sears Peyton Gallery, Weber Fine Art, Carrie Haddad Gallery and Beth Urdang Gallery. Exhibited widely, her paintings can be found in extensive public and private collections including those of the Hunterdon Museum of Art in NJ, the Venetia Resort in China, J Crew in NYC, as well as in the private collections of author Annie Proulx, actor Steve Buscemi, talk-show host Conan O’Brien and musician Stuart Copeland. Her work has appeared in episodes of TV’s Enlightened, Portlandia and Sex & the City, and the films It’s Complicated (2009), Interview (2007) and John Wick...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression. I...