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Andrei Petrov
Sun Shower - Blue and Green Abstract Square Landscape Painting

2018

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Conflictio Confluens II - Abstract Gestural Oil Painting with Earth Tones
By Ruggero Vanni
Located in New York, NY
Ruggero Vanni's Conflictio Confluens II (Convergence of Conflicts in Latin) is a 46.5 x 52 inch abstract gestural oil painting. It is a landscape of colors and light, with a strong a...
Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Canvas, Oil

Black and White - Painting with Graffiti and Poetry on Thick Impasto
By Parris Jaru
Located in New York, NY
Parris Jaru's Black and White is a 18 x 15 inches oil painting. The surface is defined by a thick impasto of paint, made with plant based pigments that Jaru collects himself during his long exploratory trips through India. The main colors are black, white and gray. The surface is scraped and incised with words and signs, almost like graffiti on a wall or inscriptions on an archaeological fragment. Parris was born in NY and grew up in St. Ann's Bay, Jamaica, until he was ten years old. Partly Jamaican and Blackfoot Indian from his father's side and partly Arawak Indian from his mother, Parris brings into his creative process a wonderful mix of different ethnicities that reflects throughout his work. The artist states "Throughout my life I have always been dedicated to Art but painting has added a patience of perception and love to my conscience mind, as well cultivating my unconscious. Painting gives me a confidence and inner security that has been hard for me to attain elsewhere. When I say a piece has turned out really well, a certain balance has been achieved between composition, perspective, color and depth giving my creative side a jolt. Although my works change frequently in form depending on mood and inspiration, the one thing that remains the same in all my works is an abstract touch. I am drawn mostly to abstract expression for the free-flowing aspect of creation. My favorite material is Plant-Pigment-Powder (ex; Sea Algae, Hibiscus, Gymnema Sylvestre and Turmeric powder. Mixing these pigments reminds me that nature is the purest example of artistic perfection and composition open to interpretation for all. With this understanding I am able to open communications with the energies of nature. the main purpose of these herbs are for medicinal healing, when I add it to my medium it adds an ethereal quality to my works. When I select my materials, I am very specific with my choices, after trial and error I work exclusively with denser herbs giving me the texture I desire and is compatible with oil paints and acrylics, adding depth and longevity to the works. Although I am drawn to blues, reds and blacks for body, my favorite colors are the highlights, whites, yellows, and light grey. I know a piece is done when it feels right, with clarity, movement and composition also complementing my sense of imagination. When my work is going well, I am filled with a sense of wonder and creative joy open to all possibilities of creation. When people see my painting’s I like them to share a part of my thoughts and inspiration, looking at the artist and his works from the inside. I reach my end goal when the painting has connected another link in the chain of an individual’s emotions." Related keywords: Caribbean Artist, Brooklyn Artist, American Indian artist, Figurative Painting, Poems, Poetry, Ancient Fragment...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Mixed Media, Oil, Pigment

Presagio - Earth Tone Abstract Painting, South American, Geometric and Organic
By Alfredo Aya
Located in New York, NY
This vibrant abstract painting features a dynamic blend of earthy oranges, golds, and soft blues, with organic shapes that seem to emerge and dissolve across the canvas. The composition evokes a sense of movement and spontaneity, making it a perfect statement piece for a contemporary living room or office space. The artist’s use of color creates a warm, inviting atmosphere, while the fluid shapes add energy and intrigue to the environment. Titled "Presagio", meaning “omen” in Spanish, the painting invites contemplation. The shifting forms and colors suggest a moment of transition or revelation, making it ideal for spaces that foster thought and reflection. The abstract nature of the work draws comparisons to the vibrant, geometric compositions of Carlos Rojas...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Oil

Early Arrival - Blue Abstract Landscape Painting on Canvas
By Andrei Petrov
Located in New York, NY
Andrei Petrov's Early Arrival is a 32 x 48 inch abstract landscape oil painting on canvas. It is a lyric abstraction in blue with an accent of pink. The reference to a natural landsc...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Oil

Vitrales Amarillo - Green and Yellow Abstract Painting, Stained Glass Inspired
By Alfredo Aya
Located in New York, NY
This luminous abstract painting evokes a serene and ethereal atmosphere, making it an ideal choice for sophisticated interiors. Muted greens and soft yellows flow organically across ...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Oil

Gimme Shelter
By Andrei Petrov
Located in New York, NY
Andrei Petrov is an American artist of Russian origins. He is best known for his abstract oil paintings where calibrated stratifications of intense shades of colors are scraped to expose prior layers. This creative process is the expression of his lifelong struggle to retain memories of his childhood and life. “ As a child I was involved in an accident that affected my memory and compelled me to paint. Ever since, I have been trying to reclaim what I lost through my work”. His abstractions at times reference natural landscapes and atmospheric transparencies, like the beautiful blue, green and earth colors of this work seem to suggest. The title of this painting "Gimme Shelter...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Oil

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Ethereal Coastline, Original Painting, Semi Abstract Seascape, Ocean art, Blue
By Helen Howells
Located in Deddington, GB
Ethereal Coastline is an original seascape painting by Helen Howells. It was inspired by the coastline of South Wales which is my homeland. It is not of any specific place, but is a ...
Category

2010s Abstract Abstract Paintings

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Canvas, Oil

Dusk
By Ira Barkoff
Located in Greenwich, CT
Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vastness” and instill feelings of awe in his viewers, he says. Furthering his exploration of the abstract, Barkoff paints in his studio, rather than en plein air, fabricating landscapes from his visual and emotional memories. The Impressionist-turned-Expressionist painter is inspired by the atmospheric qualities of works by Claude Monet and J. M. W. Turner and cites Gerhard Richter as a more contemporary influence. He recently transitioned from using a paintbrush to using a squeegee and palette knives for his work, as the latter allow for greater spontaneity and manipulation of color. He says of his work: “Looking at a blank canvas can be both exciting and frightening at the same time. Most of the time exciting wins out and I plunge in. That is, I paint the landscape, which for me is what it’s all about. The landscape represents nature and contemplating nature is being in touch with God. You could cast me as a modern-day Luminist-Tonalist-Impressionist. Monet’s Water Lilies have been a big influence, along with the landscape painter Wolf Kahn.” “The landscape is what I see before me or from my mind’s eye. When I paint a mountain or a tree, I’m not trying to capture the mountain or tree literally (that’s what a photograph does). I’m trying to express my inner spirit in the painting – to transcend the physical to reach the spiritual.” “My most successful pictures are not those that are the most accurate in terms of nature, but are the ones where the state of my consciousness allowed me to translate my feelings – my deepest inner feelings – to the canvas. When I get into this altered state...
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Untitled Dynamic Colorful Abstract Expressionist Oil Painting, Israeli-American
Located in Surfside, FL
Nachume Miller (1949–1998) was a German born Israeli artist who immigrated to New York City in 1973, where he made a name for himself in the American Modern Art scene. Miller immigrated to New York to study at the School of Visual Arts, where he would later become a professor of painting and drawing. He was quickly identified as a star on the rise and at the age of 29, was included in the Guggenheim Museum’s “Young American Artists,” Exxon National Exhibition. A decade later he was granted a solo show at the Museum of Modern Art, where his work is now part of the permanent collection. Though his career was cut short by his untimely death in 1998, Nachume exhibited at some of the most prominent galleries in New York and around the world. Miller's parents were both Holocaust survivors. His father was a captain in the front lines of the Russian Army during World War II and his mother was a Lithuanian who had once been held captive in a concentration camp. Both escaped the Nazis, re-united and fled to Israel. Nahum was born during their voyage, in Frankfurt, Germany, on January 28, 1949. He grew up in the town of Holon, Israel, where he was inspired by his father who spent most of his post-war days carving elaborate wood sculptures of Cubist human forms. Nachum, on the contrary, excelled in painting. By the age of 16, Miller was painting elaborate surreal dream lands referencing religion, politics and the history of Modern Art. His earlier works show similarities to Hieronymus Bosch, Salvador Dali and Francisco Goya. Miller was enlisted in the Israeli Army where he worked as one of Ariel Sharon's personal assistants and also fought in the 1973 Yom Kippur War. He went to New York in 1966 to study at the School of Visual Arts, and joined the faculty in 1977 to teach painting and drawing. He was enlisted in the Israeli Army and fought in the 1973 Yom Kippur War. That same year, he received a scholarship from the Israeli-American Cultural Foundation. He married his girlfriend Ruth and moved to New York to study at the School of Visual Arts. In 1977, he joined the faculty to teach painting and drawing. Over the next two decades, Nachume was prolific in the range of media, styles, and references he incorporated into his art. His paintings and three-dimensional works pay homage to artists throughout history, from the classical Greeks to Robert Rauschenberg. He prioritized craft over concept and was a disciplined painter, never neglecting workmanship in favor of a trend. His work is marked with curiosity, sincerity and intensity. Cara McCarty, an assistant curator in the department of architecture and design, organized the current show. It reveals Mr. Miller as someone who finds common ground with both Turner and Jackson Pollock - with the former's Romantic re-creations of storms at sea and with the latter's search for content in abstract gesture. Selected One-Person Exhibitions 1976: "Drawing Show", Bertha Urdang Gallery, New York 1981: "Figures", A&M Artwork, New York 1988: Exit Art, New York; "Projects: Nachume Miller", Museum of Modern Art, New York 1989: E.M. Donahue Gallery, New York 1990: "Nachume Miller: Views", E.M. Donahue Gallery, New York 1993: "Sensual Painting", E.M. Donahue Gallery, New York 1994: The Genia Schreiber University Art Gallery, Tel Aviv University Selected Group Exhibitions 1968: "10+ For and Against", Tel Aviv Aviva Uri, Michael Druks, Nahum Miller, Izzika Gaon, Izzika Raffi Lavie. 1970: "10+ In a Circle", Tel Aviv Moshe Gershuni, Buky Schwartz, Igael Tumarkin, Reuven Kadim (Berman), 1972: "Symbols and Imagination", Artists' Pavilion, Tel Aviv; "July '72", Gallery 220, Tel-Aviv 1975: "The Work of Nine Graduates of the School of Visual Arts", New York; 112 Greene Street Gallery, New York; "Group Indiscriminate", 112 Green Street Gallery, New York 1976: "8 Israeli Artists", Bertha Urdang Gallery, New York 1978: "Young American Artists", Exxon National Exhibition, Guggenheim Museum, New York 1979: The Kadishman Connection Israel Museum, Jerusalem Menashe Kadishman, Larry Abramson, Yaacov Agam, Nachum Miller, Jacob El Hanani,Samuel Bak, Koki Doktori...
Category

1990s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Wild and Free, Original Painting, Semi Abstract Seascape, Ocean art, Blue
By Helen Howells
Located in Deddington, GB
Wild and Free is a semi-abstract seascape painting by Helen Howells. It was inspired by the coast of South Wales, which is my homeland. It is not of any specific place, but is a comb...
Category

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Turquoise with Dots - Textural Abstract Geometric Colorful Oil Painting
By Petra Rös-Nickel
Located in Los Angeles, CA
Petra Rös-Nickel’s original paintings merge playful forms, bright colors, and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich text...
Category

21st Century and Contemporary Abstract Geometric Abstract Paintings

Materials

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Falling Leaves
By Ira Barkoff
Located in Greenwich, CT
Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vastness” and instill feelings of awe in his viewers, he says. Furthering his exploration of the abstract, Barkoff paints in his studio, rather than en plein air, fabricating landscapes from his visual and emotional memories. The Impressionist-turned-Expressionist painter is inspired by the atmospheric qualities of works by Claude Monet and J. M. W. Turner and cites Gerhard Richter as a more contemporary influence. He recently transitioned from using a paintbrush to using a squeegee and palette knives for his work, as the latter allow for greater spontaneity and manipulation of color. He says of his work: “Looking at a blank canvas can be both exciting and frightening at the same time. Most of the time exciting wins out and I plunge in. That is, I paint the landscape, which for me is what it’s all about. The landscape represents nature and contemplating nature is being in touch with God. You could cast me as a modern-day Luminist-Tonalist-Impressionist. Monet’s Water Lilies have been a big influence, along with the landscape painter Wolf Kahn.” “The landscape is what I see before me or from my mind’s eye. When I paint a mountain or a tree, I’m not trying to capture the mountain or tree literally (that’s what a photograph does). I’m trying to express my inner spirit in the painting – to transcend the physical to reach the spiritual.” “My most successful pictures are not those that are the most accurate in terms of nature, but are the ones where the state of my consciousness allowed me to translate my feelings – my deepest inner feelings – to the canvas. When I get into this altered state...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Oil

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