Abstract Paintings

Walking By The Sea. Artist signed lower right corner, canvas size (31 1/2 x 39 1/4in). Nicola Simbari was born in Italy and grow up in Rome. He studied at the Accademia di Belle Arti di Roma, and in the 1940s he began devoting himself to painting in a studio at Via del Babuino in central Rome. Simbari's early exposure to the architectural world had a lasting impression on his art, as he incorporated geometric forms and architectural structures into almost all of his paintings. He began to develop a distinct style stemming from impressions of life, nature, and the Mediterranean...

Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a heavy base layer of plaster, Witwer has added various layers of oil paint, creating a massive amount of depth and texture. Sections of red peek out from underneath various shades of tan, grey, and black. Spots of blue and purple are used sparingly, hidden in the composition. Presented in a wood frame. Canvas size: 20"H x 40"W Frame size: 26.63"H x 46.63"W Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Acrylic on canvas Uma Haime is an Italian artist born in 1984 who lives and works in Prague, Czech Republic. Uma Haime's art is a fusion of Mediterranean influences, linguistic nuan...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed, inscribed verso oil painting on canvas, unframed canvas size: 18 x 22 inches condition: overall ver...

Abstract figurative work by Bruce Killiam (American, 20th Century). Figures are emerging from the mist, creating an ethereal, moody composition made up of subtle tones of tan, grey, ...

Passages of red and silver in a combination of acrylic paint, marble dust, pigments and wax are balanced by shapes of grey and black in this abstract composition on canvas by Ivo Sto...

This abstracted figure painting by Juniper Briggs is made with mixed media on cold pressed paper with deckle edges. It features a warm contrasting yellow-gold and pink palette with a...

Carefully ordered patterns, geometric shapes and delicate lines in light blue, lime green, indigo, pink and aqua on a luminous golden yellow background. Signed, dated and titled on v...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Loosely painted squares and rectangles in a composition in a grid. Colors of orange, sepia, burnt umber, violet, ultramarine, and crimson combine in a geometric abstract landscape re...

This painting by Frank Vaders is a unique piece from the 1990s, made in oil on canvas with the dimensions 251 × 200 cm. It is in good condition. Vaders' works have been offered at au...

Artist’s Statement: “After working on my 'Gridish' series for awhile, I went back to revisit a series of work I did in 2020, where I was putting down successive layers of paint in a ...

This colorful contemporary abstract painting was created by Milly Ristvedt. Canadian artist Milly Ristvedt has been exploring the creative and emotive possibilities of color express...

Contemporary large scale surreal figurative abstract interior scene by Bay Area artist Michael Pauker (American, b. 1957). Titled "Studio Sweepings" on verso. Signed "Michael Pauker"...

Hunt Slonem "Iris" Flowers Purple, yellow, green and orange Cattleya orchids on a white background. Unframed Hunt Slonem is a well-renowned American artist known for his neo-express...

In crafting this artwork, I embraced the chaotic yet harmonious dance of nature. The vibrant greens and soothing pinks capture the rejuvenating spirit of spring, reflecting the renew...

"Baal (M-1128)" is an abstract Post War oil on canvas painting by Hans Hofmann in 1947. The artwork is 59 3/8 x 47 1/4 inches and with the frame is 68 x 56 x 3 1/8 inches, weighing l...

In this contemporary abstract painting in acrylic and mixed media on panel, yellow, aqua, burgundy and light violet stripes are bright against a vivid orange background. Signed, date...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 10 x 6.5 inches condition: excellent provenance: all the paintings we have...

Primary Colour Series-Blue Moon Field is one of Shizico Yi's latest large painting for her new projects, inspired by Japanese woodblock Print and the a nod to calligraphy tradition. ...

Vintage American school surreal oil painting. Oil on canvas. Signed verso. Framed. Measuring 24 by 30 overall and 22 by 28 painting alone.

A rare small painting from contemporary Abstract Expressionist, Darius Yektai. Although titled "pink flowers" the hue of the painting is really more peach, or a light orange. A patte...

Title: Sky View Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Esteban Vicente (1903-2001). Untitled, #36, 1955. Gouache on paper, image measures 8 x 11 inches, 16.5 x 19.5 inches framed. Signed, dated and numbered on verso. Excellent condition....

Damien Hirst (1965) Butterfly Spin Painting (2009) acrylic and metallic paint on paper 21 h × 27 w in (53 × 69 cm) Signed and stamped with Damien Hirst's studio's blindstamp; stampe...

Gloria Dudfield Mexican Fruit Bowl 1960s Oil Pastel and Gouache on Paper 36"x32" unframed $1600 *Custom framing available for additional charge. Please...

This painting by Lucien Durand is one of a kind and signed on the back. It is from my private collection since the 1970's.

Signed and titled abstract landscape oil on canvas by French painter Camille Hilaire. The predominantly blue toned piece depicts a view of the village of Eygalieres in the Apilles in France. Signature: Signed lower right and further titled verso Dimensions: Framed: 21"x24" Unframed: 15"x18" Provenance: Private French collection Camille Hilaire was a pupil at the École des Beaux-Arts in Paris. He also worked in the free academies, including that of André Lhote, whose teaching had a major influence on his work. He executed numerous mural decorations...

Impressive American school impressionist landscape oil painting. Framed. Oil on canvas. Signed. Image size, 18H by 24L.

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

ONCE VERDANT 2024 Paris, France This enchanting painting portrays the artist's vision of an abstracted, organic floral pattern. The floral shapes and shadows allude to traces of a ...

"Personage" Heavy Impasto Expressionist Portrait of Lady with a Hat Abstract expressionist portrait of a woman wearing a hat by California artist Harald "Harry" Dry Schmidt (America...

Title: Original Oil Painting of Seated Man at a Table with Dog by His Side Artist: Roland Pichard Signed: Verso Medium: Oil on oil paper, mounted on card Size: 13.75 (height) x 1...

This joyful floral abstraction expends love and energy and is dedicated to love and relationships. Soaring beautiful strokes, stains and splashes on the canvas create a beautiful atm...

Stephen Edlich Ouverture, with Cypress Forms, 1982 Signed, dated and titled on the stretcher Acrylic paint, mixed media, and burlap on canvas 60 x 40 inches An artist who worked in the post-cubist and constructivist traditions, Stephen P. Edlich gained a considerable amount of acclaim in the 1970s and 1980s for his collages, sculpture, and paintings. His promising career was cut short due to his untimely death at age 45 in 1989. Edlich was born in New York City. He received his undergraduate degree with a major in fine arts studies from New York University in 1967. During his college years, he traveled to London, where he met the art dealer Victor Waddington and created his first white on white collage. In that same year, he attended a major exhibition of the work of Ben Nicholson, which would be influential source in his art. Edlich returned to England in 1967, where he met Barbara Hepworth and Patrick Heron in London and traveled to St. Ives, Cornwall, long a favorite artists' haunt. Edlich began creating acrylic reliefs...

This 24.41" x 33.46" acrylic on canvas painting by Katarina Dordevic features an abstracted depiction of the landscapes at the Volcanic Natural Park of Ca...

Landscape mixed media on canvas 97x37 cm this artwork have a frame 47x110 cm Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Pai...

"Spring Inspiration," an abstract expressive artwork by French artist Natalya Mougenot, is part of her "Floral" series. Natalya enjoys working in a single, focused setting to convey ...

Christina Gschwantner combines contrasting art movements such as Art Informel and Minimal Art. She succeeds in depicting and creating her very own view of the world. A world that, ...

Marcia Myers was an American painter best known for her large-scale Color Field abstractions. Emulating the traditional fresco painting techniques of ancient Rome, she used several l...

"Wild Horses", 36x36 is an oil painting on canvas by the artist Brooke Major. Depicted in white is two wild horses mid run. The artist uses layers and layers of white oil paint to me...

Colorful landscape painting "Olive Grove IV" 30x40 by artist H.M. Saffer II. Painted in the style of pointillism- a series of tiny painted brushstrokes, this oil landscape depicts a...

Combining photorealistic oil painting on canvas with the illusion of computer-rendered graphics, Jose Carlos Zubiaur’s original artworks transcend the depth of a hyperrealistic three...

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

Oil on canvas

Title: The Guardians of Absolute Wealth Large Expressionist work with vibrant colors This is a large and soulful artwork by Karnish. Symbols and forms unfold in this mesmerizing large work depicting wealth and abundance. The viewer is invited to find their own stories intentionally created to move the viewers eyes to different aspects of riches to be discovered in the work. This work is part of a series. It is part of a story... It portrays truth, abundant energy, utmost care and wild freedom. There are hidden treasures – the infinity sign, the triangles, diamonds and squares, the abundance of color, to connect us with affluence and prosperity! Her well loved signature-style Guardians are also at play. Graffiti, spray-paint, acrylics, oils and mark making with vivid colors of blue, red, orange, yellow, purple, black, off-white, green and white - layer upon layer of shapes and forms, to create this unique artwork! This work is created on top quality, heavy duty canvas. It is mounted and stretched on wooden bars and ready to hang. It can also be framed in a style that suits the décor of the place that it will be displayed at. (Cost is for the collector. Keep in mind that the South African Rand exchange rate is favorable and makes it most cost effective to have it framed here. Shipment cost...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

Wonderful mid century abstract expressionist landscape of bridge over water cityscape, circa 1960. Illegible signature lower left ("Aioli"?). Conditi...

Abstract, figurative, Street art, bright color, oil, canvas

Impasto Oil Painting of River Tree Scene British Postwar & Contemporary Artist, Terry Evans Terry Evans is a British Postwar & Contemporary Painte...

Burst of Color by Yvette Dubois-Habasque (1929-2016) dated verso and signed in lower right oil painting on artists board, unframed painting measures: 13 x 16.25 inches Stunning ori...

Los Angeles artist Marc Raphael captivates by his abstract expressionism paintings influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work...