Abstract Paintings

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

Mexican artist Heny Steinberg’s abstracted landscapes invite us to travel from the map to the localized event. The shapes within Steinberg’s work transcend two dimensional representa...

Original art by Lesia Danilina. unstretched canvas A semi-abstract acrylic painting on raw canvas titled "Healing Memories". "Healing Memories" is an emotionally deep and inspiring...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflies represent spiritual rebirth, transformation, change, hope, and life - she goes on to say: "The butterfly series draws inspiration from Rivera's quote 'Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can.'" After coming to the fruition that Butterflies pose as not only a symbol for beauty and rebirth, Almonte felt a feeling of deep comfort. Her passion for sharing this message of hope and renewal through her colorfully diverse canvases is achieved with resilience leaving her audience glimmering much like the inner voice and the spark of Joie de vivre that fuels her purpose in life to create. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 36 x 36 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

Basquiat: Caught in the Crossfire is a very heartfelt and personal tribute to Basquiat and a large statement piece and with this painting Sax takes up the mantle and upgrades the con...

A modernist depiction of figures executed with strong use of line and texture. This piece is filled with movement and beautiful brushwork, the use of color placement is enchanting wi...

'Expressions in Bloom: Portraits from the 20th Century IV', oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings throu...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of white bunnies on an Ultramarine blue background with thick use of pai...

4 drwaings Posca on paper Canson 250gr. Each drawing of Size A4 Hand-made painting from the imagination. Original and unique work.

"Eggshell Yellow Curls" is an abstract painting triptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined...

Miquel Torner de Semir (1938) - The jacket - Oil and collage on board Signed and dated lower right Measures work 103x78 cm. Frameless. Miquel Torner de Semir (1938) Catalan painter attracted by the Middle Ages and Italian Renaissance art. His influences and tastes also include the Romanesque and the Gothic. He trained artistically at the School of Fine Arts in Sant Jordi and at the San Fernando School in Madrid. Miquel Torner was a disciple of the muralist and engraver Ricard Marlet, with him he learned the discipline of drawing and got to know movements such as Catalan Modernism and Nuevocentisme. His first individual exhibition was in 1968 in Terrassa, later he exhibited in other Spanish cities, in Paris and in Europe. The painter Miquel Torner became one of the best known representatives of Mediterranean painting...

The Bridge at Argenteuil a copy after the earlier, original painting by Claude Monet oil on canvas, unframed canvas : 20 x 24 inches provenance: private collection, south west of Eng...

Maggy Clarysse (1931-2011) Oil on thin canvas, unframed 10 x 7 inches Initials Signed ...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts delicate butterflies in ascension placed in a wonderful golden landscape. Slonem trac...

Original Art Ready to Hang 70x80 cm 2024 Marilina Marchica was born in Agrigento, where she works and lives, After receiving her diploma at Liceo Artistico "Michelangelo" in Agrigen...

Beautiful 1945 painting by American artist, Eve Peri. Watercolor on tissue paper, image measures 18 x 14 inches; 20.5 x 24.5 inches matted behind scratched plexiglass. Artwork and ma...

An impressionistic depiction of a Saint-Cloud factory porcelain vase ca. 1695–1710 with a burst of flowers exploding with color and bold marks. Alfaro bridges the Baroque cultural mo...

Gerdine Duijsens’ spirited and evocative figures are instantly recognizable and unforgettable. Through lush, bold colors and energetic marks, her paintings emit a sense of pleasure a...

The painting is permeated with memories of childhood and early dawns, the smell of grass, earth, sunlight, long walks and fresh coffee. A story about how to be free, light, brave. Be...

Sardine Run is a great event happends in South Africa. Tones of sardines migrates from Atlantic to Indian Ocean and all predators are following it. Bright underwater artwork with gr...

Sophie Dumont, a contemporary artist of undeniable talent, presents "Art and Reading," an oil painting on canvas measuring 80 x 80 cm (approximately 31.5 x 31.5 inches). This captiva...

"Constructivist Sunset Triangles" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful combination of geometric shapes in a classy gamut of colors. The use of p...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on an Aqua Mist blue background with thick use of pain...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 19 x 15.5 inches condition: excellent provenance: all the paintings we hav...

American modernist abstract architectural oil painting. Framed. Oil on canvas. Image size, 17H by 21L.

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed, titled verso oil painting on canvas, unframed canvas size: 24 x 20 inches condition: overall very g...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

"Gestural Study of Presence and Absence I" is a framed mixed media work on canvas by Meredith Pardue, depicting organic, overlapping shapes in vibrant hues of yellow, blue, pink, gr...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts two delicate butterflies in ascension placed in a wonderful golden landscape. Slonem ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Josine Vignon (French 1922-2022) ...

Small Mars 1, Tribute to James Turrell is a unique oil and acrylic on canvas painting by contemporary artist Mathieu Piffeteau, dimensions are 120 × 120 cm (47....

Yellow Landscape Mineral Oxide on Paper Fabriano Paper 70x50cm 2025 Original Art Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at the A...

Hunt Slonem "Purple Haze" Pink Bunny A single rabbit gestured in black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is framed -...

Request a black or natural wood frame "Quiet Contrast" is an evocative oil painting by Sophie Dumont that showcases her adeptness at balancing simplicity and depth through her distin...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Neutral toned gestural abstract painting by contemporary artist Ian Francis. The work features a variety of gestural marks accented by black, pink, and yellow shapes set against a ta...

Balmes. original abstract mixed media acrylic painting composition of the artist Spanish Toni MAT. Mixed technique on wood. Perfect state. Antonio Amat studies Art in Barcelona, ​​...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Title: Wildflower Celebration Exclusive Original Painting Abundant Colorful Floral Investment Striking Divine Texture Impressionist Landscape Nature A joyful gift for Mother's day...

Abstract Landscape Miriam Bromberg Date: circa 1960 Oil on Masonite Size: 7.5 x 9.25 in. (19.05 x 23.5 cm) Frame Size: 13 x 15 inches

Artist: Voskan Galstian Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2023 Style: Abstract Art, Title: First Gate, Size: 24" x...

Oil painting on canvas featuring a mosaic of red, orange, and yellow tones, interspersed with abstract and representational elements and rich texture that imparts depth. It is create...

Impressive early American school modernist abstract oil painting. Framed. Oil on canvas board. Signed.

This large textural abstract energetic artwork on canvas by Togolese artist Olympio is a unique mixed media painting with a raw and direct aesthetic, providing an unfiltered manifestation of the artist's soul. Its expressive brushstrokes and vibrant color palette and the incorporation of an additional piece of canvas to the surface add an extra dimension of texture and interest to this already captivating piece. Olympio's raw and direct approach to mixed media and collage on canvas creates a tactile experience that provides a captivating insight into the artist's creative vision. Bright, energetic marks encircle rough textures that are perfectly balanced by the peaceful compositions beneath, creating a sense of harmony and balance in this exceptional artwork. This large 48-inch high by 60-inch wide mixed media painting is signed by Olympio on the back of the canvas. The many layers in his work emphasize the texture and visceral nature of his canvases. The painting is wired and ready to hang. Free local Los Angeles delivery. Affordable U.S. and global shipping is available. A Certificate of Authenticity issued by Artplex Gallery is included. For the abstract artist Olympio, art is a dance of textures and colors, woven from an eclectic medley of canvas and textiles. Each stroke on his canvas is a nod to the classical ideals of modern abstraction, a harmonious blend of purpose and spontaneity. The linens and canvases he selects have borne witness to various conditions and interactions, embracing the imprints of their past experiences. Olympio meticulously stretches, glues, and layers these diverse fabrics together, infusing them with additional layers of acrylic paint, a fusion of careful craft and serendipitous revelation. In Olympio's art, deliberate strokes mingle with accidental splashes, forming a mesmerizing canvas that speaks to the ethos of modernism's evolution. It's a reminder that the legends of yesteryears now manifest as a distinct style, a testament to their enduring influence. His mastery over the medium amplifies, imbuing each piece with a romantic essence carefully counterbalanced by his practiced modesty. The strokes, swirling and turbulent, are immersed in a rich, opulent application of paint, akin to an expansive honeysuckle-pink landscape or a brooding soot-gray abyss. Yet within this whirlwind of impressions, Olympio maintains a sense of purpose, an elusive process that surrenders control to the animated paint and sculptural fabrics. Olympio possesses a rare duality, orchestrating the delicate balance between sensuality and subtlety within his creations. Navigating these opposing forces, he transcends distractions and attains the perfect pitch, crafting a visual symphony that resonates deeply. Olympio was born into a large family of eight children in Lomé, Togo, West Africa. He began his creating art by using building scraps to make sculptures. By the time he was in high school, he started to experiment with mixed-media and collage. He later transitioned to acrylic and oil on canvas. In 2001, Olympio left his home in Africa to live in Paris. Olympio moved to the United States in 2003 and has continued to paint. His work has been exhibited at Art Basel Miami, where in 2018 he was ranked one of the Top 10 Artists by Red Dot Miami. He was also recently interviewed for France 2, TV5Monde, and the BBC. His work has been exhibited and collected internationally. REPRESENTATION Artplex Gallery, Los Angeles, California EXHIBITIONS 2019 Artplex Gallery, Los Angeles, CA Art Palm Springs, Karyn Mannix Contemporary, Palm Springs, CA “Voltage,” Artplex Gallery, Los Angeles, CA LA Art Show, bG Gallery, Los Angeles, CA “Immigration Celebration, Part I,” Laurent Proneur Gallery Superfine! Fair, Magic Box LA, Los Angeles, CA 2018 Red Dot Miami, Miami, FL Art Basel, Miami, FL Los Angeles Art Show, Los Angeles, CA Latino Art Museum, Pomona, CA BG Gallery, Santa Monica, CA Wallspace at the Brewery Fall Art...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 24L. Excellent ready to hang condition. Impressive colors and compo...

James Earl Ray (1928-1998). Landscape with Orange Sky. ca. 1975. Oil on masonite panel measures 6.5 x 8.5 inches, 10.5 x 12.5 inches framed. Signed lowe...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 15 x 20 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist st...

Work size 38x28 cm. Frame size 41x31 cm. Jose Antonio Herrera Alcazar was born in 1960 and was largely influenced by the 1970s. The art sphere of the 1970s was epitomized by a longi...

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Image size, 11H by 14L.

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...