Abstract Paintings

Impressive early American modernist abstract textural painting. Oil on canvas. Framed. Signed. Image size, 42 by 46 inches.

Georges Mathieu (1921 - 2012) L’horizon mensonger Alkyde sur toile / Alkyd on canvas Signé en bas à gauche, titré au dos / Signed lower left and titles on the back Circa 1990 Size : ...

"Born in spring" is a soft abstract landscape painting, in a beautiful palette of greens and gold and celestial blue running through the sky. It is a painting dedicated to the Italia...

George Dannatt (1915-2009) Painting 1960 1960 Gouache on paper Image: 25.4 x 28.9 cm Frame: 48.0 x 50.3 cm Provenance: The George and Ann Dannatt Estate, The George Dannatt Trust...

Within undulating lines in shades of blue with hints of pale pink and dark red, Margaret Neill investigates the properties of abstract curvilinear forms found in the localized condit...

Signed lower right, 'C G Nelson' for Carl Gustaf Simon Nelson (American, 1898-1988) and dated 1956. A substantial, Modernist oil showing a profusion of white and pink poppies contra...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Classic Blue Silk Movement nº1 + Year: 2024 + Edition Size: 100 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

In this painting, I've unleashed a torrent of emotion, blending the calmness of pastel blues with the deep, poignant blacks to symbolize the ebb and flow of our inner experiences. Th...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Artist/ School: French 20th Century artist Title: Cubist street scene at dusk Medium: oil painting on canvas, unframed. canvas: 25.5 x 21.25 inches Provenance: private collectio...

Abstract artist Paul Kirley crafts visual journeys that seamlessly intertwine individuals with their surroundings, evoking the ethereal nature of dreams. Blurring the boundaries betw...

Original abstract painting exploring the language of paint and colour. Additional information: #580 Jessie Woodward Original abstract painting Acrylic painting Sold Unframed 70 H x ...

Contemporary Art, Abstract Painting Acrylic on canvas 100x120cm Signed About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura...

"Untitled, Figure Study" is an abstract figurative Post War pastel on paper paintings by Hans Burkhardt in 1967. The artwork is 21 1/4 x 16 1/4 inches and, with the frame, is 28 3/4...

Fredric Karoly (1898-1987). Etude III, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

This is a one of a kind original mixed media painting by San Diego artist, Duke Windsor. Its dimensions are 36" x 48". A certificate of authenticity will follow delivery. It is unfra...

"Untitled (Abstract Figure Study)" is an abstract figurative Post War mixed media on paper painting by Hans Burkhardt in 1979. The artwork is 22 1/2 x 15 inches and, with the frame, ...

"Palm Spring Patterns" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, a...

Monogram lower left "RD" Exhibited Malborough-Gerson Gallery, New York Lee Gallery, Belmont-Massachusetts Galerie Rosengart, Luzern Richard Gray Gallery, Chicago/New York Liter...

Abstract Expressionist Figurative Homage to Willem de Kooning's "Women Singing" Colorful and dynamic abstract expressionist figurative mixed media painting contemporary piece, featu...

This is a unique mixed media piece: it is a hand-painted botanical abstract colorful shape upon a background that is a cyanotype print of a cloudy texture, giving it a modern, abstract geometric feel that will look great in contemporary and classic homes and businesses. Details: + Title: Turquoise Leaf...

Stunning original oil painting by the French abstract artist, Yvette Dubois-Habasque (1929-2016). oil painting on canvas, unframed signed and dated verso canvas: 10.5 x 18 inches...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Sandra Cohen’s “Good Morning, Captain” is an 24 x 24 x 1 inch abstract landscape painting on canvas, in luminous pink, red, orange and steel blue. At the top of the canvas is an enor...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold flakes with thick textured oils and glass...

The painting "The Beach in Corfu" is not painted from a photo or in the open air. This is an impression of the country, of the people seen, of the beach, of the sea, and of the beaut...

"Morning Blender Triptych" is a beautiful luminous abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for. As the artist painted thi...

Untitled LXXIII is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 200 cm × 140 cm (78.7 × 55.1 in). The artwork is signed, sold unframed a...

This abstract portrait painting is inspired by the work of Picasso. A unique patchwork style composition by artist Ilana Greenberg. The work is framed ...

Acrylic on canvas Jeremie Faivre is a French artist born in 1977 who lives and works in Paris, France. He is graduated from Massachussetts College of Art & Design in Boston, MA, Uni...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

This abstract expressive artwork, "Summer Flowers of Joy," by French artist Natalya Mougenot, is part of her Floral series. Natalya enjoys working in a single, uninterrupted session ...

A striking contemporary two-toned colorfield abstract by Bay Area artist Michael Pauker (American, b. 1957). A large neutral textured section in cream sits atop a wavy abstraction in...

Ted Hinrichs Spirit and the Quiet Acrylic on Canvas Year: 2023 Size: 48x41x1.5in Signed by hand COA provided Ref.: 24802-1728 *on Stretcher Frame ready to hang Tags: Abstract, Acr...

Hunt Slonem "Ocean" Blue Double Heart Diamond Dust Bunny Two rabbits gestured in blue on a matching Diamond Dust background in a vintage frame. Unframed: 19 x 19 inches Framed: 3.5 ...

In a whirlwind of vibrant colors, "Embracing the Present" captures the very essence of the present moment. Against an orange background, shades of blue and violet intertwine, creatin...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 20 x 20 inches condition: overall very good, a few min...

Matte but luminous, Outland No. 47 by Susan English is a wonderful play of color, light, and composition. Hues of icy gray blue meet and merge, offset by beige brown at the bottom an...

The painting is framed behind glass. About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love ...

Christina Gschwantner combines contrasting art movements such as Art Informel and Minimal Art. She succeeds in depicting and creating her very own view of the world. A world that, ...

"Flower" is a striking piece from Elizabeth Art Candy’s Fake Gum’s series, where her signature 3D mosaic technique transforms bold pop imagery into a sculptural experience. Featuring...

Memories (Abstract painting) Oil on canvas — Unframed. This artwork is exclusive to IdeelArt. German artist Petra Schott uses colour, lines, and shapes to express her everyday emoti...

"Geostructure IX" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

Impressive 1963 modernist painting. A cubist abstract with great composition and color. Framed. Signed.

Nan Van Ryzin (American, born 1952) "Creation" 2022 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. About the Artist: Based in Connecticut, Nan Van Ryz...

This contemporary poured, tinted polymer painting on floating panel, Weather No. 1 by Susan English is a wonderful play of color, light, and composition. The layers of English's tint...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Medium: Cast resin and matte clear coat on panel Eric Moore's story doesn't start like many established artists. Unlike many of his artistic peers, Moore has not been drawing and cr...

"Vibrant Yellow" is a framed sublimation print on aluminum by Tom Bolles with abstract linear forma of florescent yellow and neon green. The smooth gradient of saturation near the le...

"Symphony From Past to Present" is an abstract style painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of bright and c...

The vibrant artwork "Floral Vitality" by French artist Natalya Mougenot bursts with color, featuring dynamic vertical strokes that evoke the sensation of a wild, abstract field in mo...

"On The Beach" - 1976 Original Textured Oil on Canvas Colorful abstract expressionist oil painting depicting the back of a woman by California artist Harald "Harry" Dry Schmidt (Ame...

Susan Kiefer Apotheosis Oil on Canvas Year: 2022 Size: 48x36x1.35in Signed by hand COA provided Ref.: 924802-1050 Though born and raised in Kansas City,...

Turquoise , 90x70cm

Sezione Aurea 2024-017 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 89 × 56 × 4 cm (35 ×...

Sophie Dumont has earned significant recognition within the international art scene, establishing herself as a leading figure in contemporary painting. Known for her masterful use of...

Edward Zutrau Polynesian Image, 2/1960 Signed, dated and titled on verso Oil on linen 38 1/2 x 51 inches Edward Zutrau is among the American artists who worked within the whirlwind...