Minimalist More Art

Drawing inspiration from the vibrant California landscape, British artist Paul Westacott creates original abstract artworks that showcase a harmonious b...

Josef Albers Album Art circa late 1950s A vinyl record cover (containing its record) brilliantly designed by Josef Albers c.1958. Looks fantastic framed. Offset lithograph on vinyl ...

Donald Judd New York 1988: A rare 1980s announcement card published on the occasion of Judd's "Untitled 1988" exhibition at Brooke Alexander, Inc.; 476 Broome Street, New York, NY. F...

Drawing inspiration from the vibrant California landscape, British artist Paul Westacott creates original abstract artworks that showcase a harmonious b...

"Notched Wave" in stainless steel and bronze is a beautifully minimalist vertical water sculpture. With its own stainless steel water containment, the self-contained fountain is perfect for a contemporary setting indoors or outdoors. Archie Held...

Ellen Williams Cosmos I Original Drawing Coloured pencil on A4 150gsm paper Image Size: Signed Sold Unframed This drawing is one in a series of botanical...

Drawing inspiration from the vibrant California landscape, British artist Paul Westacott creates original abstract artworks that showcase a harmonious blend of minimalist geometry an...

Francesca Henderson Williams Pear 5 Original Still Life Illustration Drawing Black Ink on Premium Acid Free Paper Image Size: H25 cm x W20cm x D 0.1cm Mounted Size: H30 cm x W25.5 cm...

Richard Tuttle The Art of Richard Tuttle (Hand signed, dated and inscribed by Richard Tuttle), 2005 Hardback monograph with dust jacket (Hand signed, dated and inscribed to Nadine by...

Christopher Wool Christopher Wool (Hand signed and dated by Christopher Wool), 2013 Hardback monograph with dust jacket (hand signed and dated by Christopher Wool) Boldly signed and ...

Christopher Wool (Hand signed and dated), 2006 Hardback monograph (hand signed and dated by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half-title page 12...

Drawing inspiration from the vibrant California landscape, British artist Paul Westacott creates original abstract artworks that showcase a harmonious b...

Richard Serra Drawings Zeichnungen 1969-1990 (Hand signed by Richard Serra), 1990 Softback monograph Book (Hand signed by Richard Serra) Hand signed by Richard Serra on the half titl...

Richard Serra Richard Serra Drawing: A Retrospective (hand signed by Richard Serra), 2011 Hardback monograph with dust jacket (hand signed by Richard Serra) Hand signed by Richard Serra on the title page 12 × 10 × 1 1/2 inches Provenance Strand bookshop New York, official signed copy (see cover) This is the official signed copy from Strand bookshop, NY. bearing the "Signed Copy" stamp on the cover. Makes a superb gift! Published on the occasion of these exhibitions: The Metropolitan Museum of Art(04/11/11-08/28/11) San Francisco Museum of Modern Art (10/15/11-01/16/12) The Menil Collection (03/02/12–06/10/12) Book information: Published by Yale University Press, CO, and The Menil Collection, Houston. English; Hardback; 232 pages with 160 quadratone illustrations Publisher's blurb: As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. More about Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

Small yet impactful. This modern, minimal, black and white painting on canvas puts emphasis on simplifying the composition. Paper collage adds a subtle textured element. The understa...

Drawing inspiration from the vibrant California landscape, British artist Paul Westacott creates original abstract artworks that showcase a harmonious blend of minimalist geometry an...

Richard Serra Early Work (Hand signed and dated by Richard Serra), 2013 Hardback monograph with no dust jacket as issued (Hand signed and dated 2014 by Richard Serra) Hand signed and dated 2014 by Richard Serra on the title page 12 × 10 × 1 3/5 inches Provenance The artist signed the work for the present owner at a special 2014 event with Hal Foster...

Lyman Kipp Kipp, at Betty Parsons Gallery, 1968 Rare Minimalist silkscreen announcement poster 24 × 13 1/4 inches Unframed Extremely rare. If you're reading this listing, you know wh...

Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...

Bernar Venet Sculpture (Monograph - hand signed and inscribed), 2013 Lavishly illustrated hardback monograph with dust jacket (signed and inscri...

Heinz Gappmayr (1925 Innsbruck - 2010 ibid), Colors, 1993. Linen box with ten aquatint etchings on handmade paper and two text sheets. Published by Dorothea van der Koelen, Mainz. Co...

This minimal abstract painting on canvas places emphasis on simplified composition. The sllent negative space becomes an active element, interacting with the positive form to create ...

A Monument for Ice takes the vastness of glaciers and presents a monument that asks the viewer to look into rather than look out to the subject. It becomes a hypothetical tribute to ...

In this contemporary painting, layers of paint build up a neutral palette where emphasis is placed on a simplified composition. This reductive painting plays with negative space, inv...

Small paintings are both intimate and impactful. This black and white abstract puts emphasis on simplified composition with the use of paint and paper collage. So little with so much...

Oil on canvas, 1961. Signed in oil in lower right. Signed and dated in oil on verso. Per the Guggenheim Musuem (New York), whose collection has works by Sugai., he "was part of th...

Coffee Peloton XX by Eliza Southwood [2021] original Coffee on paper Image size: H:64 cm x W:97 cm Complete Size of Unframed Work: H:64 cm x W:97 cm x D:0.1cm Sold Unframed Please no...

Ellen Williams Clematis III Original drawing – coloured pencil on A4 150gsm paper (Please note that in situ images are purely an indication of how a pie...

This Curtis Jere High Wheel Bicycle Iron Sculpture is an exquisite blend of artistry and nostalgia, capturing the essence of 19th-century innovation in transportation. The piece is ...

smoke from an open flame accumulated in encaustic beeswax on panel Triptych Each piece measures: 10" h x 10" w x 1.5" d Bryan David Griffith's work explores the idea that dualities...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 27 in. x 27.5 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen...

A rare opportunity to own handmade plates used in the #1 restaurant of the world- NOMA (Denmark). These have been imported from Copenhagen Denmark and are in Chicago USA. Set of 4 plates made by the Aage and Kasper Würtz, who are an internationally sought-after father and son team of studio ceramists. While their location is Horsens, Denmark, a provincial town on the Jutland mainland, they are becoming known far and wide for their hand-thrown, hand-glazed designs — most notably the crockery they produce for a growing number of New Nordic and other contemporary gourmet restaurants around the world — from Geranium, Noma and Amass in Copenhagen to Törst and Luksus in Brooklyn. Produced under the K.H. Würtz trademark, Würtz ceramics — typically made of stoneware, occasionally of porcelain — possess a leading-edge 21st century aesthetic, yet each piece is created completely by hand, using mostly ancient wheel-turning and glazing methods. Würtz tableware, in particular, exhibits certain signature characteristics, such as an assured inner-outer ratio, a subtle concavity even in the flattest dinner plates, unexpected rims, moody colorations, random flecked and mottled surface effects, and a robust heft that makes each piece a delight to hold in the hand. All in all, the Würtz style is simultaneously contemporary in design and archaic in the crafting. It’s been described as timeless but is also future-oriented in the way it supersedes both heavily floral traditional fine china dinner sets...