Linda Kamille Schmidt

Flux, 2024, vibrant, jewel-like, diaphanous strips of fabric collages

2024

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a well of both excitement and sentimentality. Her transparent and opaque fabrics mingle together with an almost casual ease. Schmidt’s hand is evident in the cut, placement, and suturing of each strip. The artist vacillates between precise machine and loose, wobbly hand-sewn stitches. Her subtle use of pins in the works act as focal points for the eye as it dances around the celebration of color and texture. As a result, her works refuse the sterility of manufacturing, and challenge the reductive elision of perfectionism and femininity. This sense of touch evokes a closeness with the fabric, almost inviting contact. A hot frenzy of geometric forms, Schmidt’s fabric swatches about and overlap to form a kaleidoscopic play with depth and recession. Coupled with the scale of these smaller pieces, Schmidt draws her viewer forward, and entices them to fall into her mesmerizing displays.  Linda Kamille Schmidt is originally from Kansas where she attended Bethel College and where most of her family still lives. She received an MA and MFA in drawing and painting from the University of Iowa in Iowa City.  She has lived and worked in Brooklyn, NY, since 1989. Solo and Group shows have included AIR Gallery (New York, NY), Ann Street Gallery (Newburgh, NY), Art in Embassies (Kohor, Republic of Palau), Art Mora (Ridgefield Park, NJ; Seoul, South Korea; New York, NY), ArtPort Kingston (Kingston, NY), Carroll and Sons Gallery (Boston, MA), Chazou Gallery (British Columbia), Cheryl Hazen Gallery (New York, NY), Clemente Soto Velez Cultural Center (New York, NY), Curious Matter (Jersey City, NJ), DeDee Shattuck Gallery (Westport, MA), Denise Bibro Fine Art (New York, NY), Main Window Dumbo (Brooklyn, NY), Port Washington...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Hand-machine knitted thread, fluid acrylic on dyed fabric Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...

Refleksy (Reflexes), flax (linen) and wool, 50" x 48" x 2", 1973. This warm, vivid Mid-Century tapestry, Refleksy (1973) is by Polish textile artist, ...