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Marilyn (Orange-Pink) -Contemporary Editions, Warhol, Framed, Enamel, Pop ArtCirca 2010
Circa 2010
About the Item
ANDY WARHOL (after)
Marilyn Orange-Pink, 2010
Enamel on porcelain
Edition of 49
51 x 51 cm (20.1 x 20.1 in.)
Signed in glaze, numbered on the reverse on label In wooden box, accompanied by Certificate of Authenticity from the Rosenthal Studio in collaboration with The Andy Warhol Foundation for the visual Arts INC., New York.
In excellent condition
Framed
Of all Andy Warhol's celebrity subjects, none seem more perfectly emblematic of how the artist perceived and synthesised America than Marilyn Monroe. Warhol saw in Monroe all the promise, beauty, sex symbol, a Hollywood product, the fame and tragedy that 1960s America was capable of realizing. In his Marilyn portraits – which he began shortly after Monroe's death, in August 1962 and taking on the suggestion of Henry Geldzahler - it's impossible to locate what one might call the truth of the subject.
"I just see Monroe as just another person. As for whether it's symbolical to paint Monroe in such violent colors: it's beauty, and she's beautiful and if something's beautiful it's pretty colors, that's all." —Andy Warhol
Warhol liked watching Hollywood films, saying that the only real reason we watch movies is to see the stars and to see them as often as possible.
His Marilyns are technically incredibly special, as when you look at them the colour of the background pops first and the drawing comes second, a complete reversal of the usual order seen in painting.
This edition of only 49 copies was published by Rosenthal studio-line, in collaboration with The Andy Warhol Foundation for the visual Arts INC., New York.
- Creation Year:Circa 2010
- Dimensions:Height: 20.08 in (51 cm)Width: 20.08 in (51 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- After:(after) Andy Warhol (American)
- Period:
- Condition:
- Gallery Location:Zug, CH
- Reference Number:1stDibs: LU1562211092342
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Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognised.
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