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Jessie Willcox SmithThe Pink Bonnet1907
1907
About the Item
Date: 1907
Medium: Mixed Media on Board
Dimensions: 18.25" x 15.25"
Signature: Signed Lower Right
Provenance- From the Helen Hay Whitney estate (the author of The Bed-Time Book for which the illustration was published)
Illustration for the poem "Hats" in The Bed-Time Book by Helen Hay Whitney, published by Duffied & Company, 1907, page 31.
Subsequently published in the Woman's Home Companion, November 1914 (bears label verso)
The poem "Hats" reads:
"I always know it's winter,
Though I'm hot enough to melt,
Because my mother makes me wear
My little hat of felt.
And so again I always tell
The spring, not by the thaw,
But then the felt hat goes, and I
Put on my hat of straw."
Exhibitions:
Pennsylvania Academy of the Fine Arts and the Philadelphia Watercolor Club, Twelfth Annual Philadelphia Watercolor Exhibition 1914
(bears old label verso)
- Creator:Jessie Willcox Smith (1863 - 1935, American)
- Creation Year:1907
- Dimensions:Height: 18.25 in (46.36 cm)Width: 15.25 in (38.74 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:Seller: 29821stDibs: LU38431991493
Jessie Willcox Smith
But success as an illustrator wasn't immediate. She got a job in the production department of The Ladies Home Journal in 1889 and was still working there five years later when Howard Pyle began teaching illustration at Drexel Institute of Arts and Sciences. Smith was accepted as a pupil in his first class. At 31, she was only 10 years younger than her teacher and one of his oldest students. Elizabeth Shippen Green and Violet Oakley soon joined her in the class, and the three became lifelong friends. Smith's first commission through Pyle was for an 1897 edition of Evangeline that she illustrated with Oakley. The two joined another Pyle student to rent a studio, and Green later joined them there. In 1901, the three shared the lease on an old inn outside of Philadelphia. That's the same year as the illustration above from "The Last of the Fairy Wands" in the December issue of Scribners Magazine. She produced two calendars with Green for 1902 that helped establish the careers of both women. The most important was "The Child," which showcased some of her most sensitive renditions of children to date. The images were collected into a book the following year. One of Smith's three images from that book is above at right. The magazines and books of the day voraciously consumed as much color work as possible. Pyle's students were some of the best-prepared new entrants into the illustration market, and Pyle's name gave them access to the magazines' pages.
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