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Henry RayburnFinale, unique signed mixed media acrylic collage, beloved Texas artist, Framed1995
1995
About the Item
Henry Rayburn
Finale, 1995
Acrylic and mixed media collage on paper
Signed in graphite pencil on the front
Unique
Frame included
Provenance: Irving, Texas Corporate Collection de-accession
Frame included: held in original vintage frame
Acquired by the above owner from Edith Baker Gallery, Dallas, Texas;
Measurements:
Framed
20 inches by 17 inches by 2
Artwork:
11 inches by 8.5 inches
Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery
Beloved Texas artist Henry Rayburn grew up on a farm in Alvarado near Dallas. He graduated from high school in Alvarado in 1963 and then went on to study architecture at the University of Texas. After two years with the Peace Corps in Colombia, he worked as an architect in San Francisco and San Antonio. But instead of staying with architecture, he followed his heart and spent the rest of his life making art, developing a loyal following in the region for his exquisite abstract collages. His work was featured in several "Blue Star" roundups, at the Koelsch gallery in Houston, at the Edith Baker Gallery, in major corporate collections and museums including the McNay Art Museum in San Antonio, Texas.
- Creator:Henry Rayburn (1945 - 2009, American)
- Creation Year:1995
- Dimensions:Height: 20 in (50.8 cm)Width: 17 in (43.18 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Fine original condition; held in original vintage frame.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745215616532
About the Seller
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Located in New York, NY
Henry Rayburn
Table 2, Couple 1 (unique framed collage by beloved Texas artist), 1995
Acrylic and Mixed media collage on paper
Signed in graphite pencil on the front
Unique
Frame inc...
Category
1990s Abstract Mixed Media
Materials
Mixed Media, Laid Paper, Acrylic
Face Value
By Richard Kalina
Located in New York, NY
Richard Kalina
Face Value, 1992
Collage and mixed media (flasche) and acrylic on laid paper painted on canvas
Signed on the verso; also bears Max Protech Gallery Label, Unique
Frame included
Hand signed, dated and titled on the verso with original label from the legendary Max Protech Gallery, as well as Christie's NYC labels. A dazzling mixed media painting that looks so much better in person.
Provenance
Max Protech Gallery
Christie's Inc (see labels)
Measurements:
Frame:
15.5 x 23.5 x 1 inch
Artwork:
15 x 23 inches
About Richard Kalina:
Richard Kalina was born in 1946 and studied at the University of Pennsylvania. He began exhibiting in 1969 and has regularly shown his work in museums and galleries, both nationally and internationally. ... Richard Kalina is Professor of Art at Fordham University in New York, where he teaches studio art and art history. This is a gorgeous work that would look beautiful in any home or office.
His works are included in museum collections such as the Arkansas Art Center, Grey Art Gallery, Guild Hall Museum, Fogg Art Museum, Indianapolis Museum of Art, Milwaukee Art...
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Located in New York, NY
Larry Bell
Untitled (Fraction of Fractions), 2000
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Mid century Modern 1960s Abstract Expressionist painting, renowned artist Signed
Located in New York, NY
Jack Wolfe
Untitled, 1965
Acrylic and collage on board
Hand signed on the front
Frame included: held in original vintage frame with original gallery label
Unique
Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso)
Excellent abstract expressionist mixed media work.
Measurements:
Image:
17" x 24"
Framed:
24" x 28" x 1"
From Wiki:
Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3]
Career and Museum Representation
Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72"
Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10]
With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13]
Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...
Category
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