Emeka Ndibam

Ewaoluwa (The Beauty of God)

2022

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

"Love and Music," a captivating artwork by the talented artist Emeka Ndibam, presents a mesmerizing portrayal of the profound bond between two individuals...

"In My Feelings," an exquisite artwork created by the visionary artist Emeka Ndibam, draws us into a realm of emotions and introspection. The piece showca...

Richard Haas 42nd Street at Night from the Multiplex Cinema Roof, 2008 Acrylic on canvas laid to board Hand signed and dated 2008 on the front Frame included: elegantly framed in art...

This artwork captures a solitary moment in a remote desert setting. The scene focuses on a vintage motel, "Desert Inn," with its bright yellow façade standing out against the dark, m...

Thelma Appel In Memoriam, 2002 Acrylic on Canvas painting Hand signed, dated and titled in black marker on the back This is a unique work Frame Included Absolutely stunning signed painting by beloved abstract and representational painter Thelma Appel. This 2002 work was done by the artist to honor those who lost their lives in the 9-11 terrorist attacks, as the artist's studio was in lower Manhattan at the time. A similar work done by Appel from this era was acquired by the Police Museum in lower Manhattan, near Ground Zero. This work is elegantly framed in a handmade brushed aluminum museum frame and is ready to hang. Signed, titled and dated verso. Ms. Appel has been the subject of a 50 year career survey at the Brattleboro Museum in Vermont. Measurements: Frame: 18.78 x 24.3 x 4 inches Artwork: 18 x 24 inches This work will be accompanied by a limited edition catalogue of the artist's museum retrospective, along with the original invitation and separate promotional materials. Thelma Appel biography A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been working and teaching for more than six decades. Most recently, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams, and she exhibited at the Mattatuck Museum in Connecticut which acquired one of her fabric collages for their permanent collection. Thelma Appel was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design and Art New York art fairs and has been exhibited at Alpha 137...

Thelma Appel Charlie Playing, Arie Singing, 2020 Acrylic on canvas. Hand signed by the artist on the front; signed, titled and dated by the artist on the back 20 × 16 × 1/2 inches F...