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Audrey AnastasiSmoke, collage woman with cigarette female, patterns2022
2022
About the Item
These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, various language newspapers, print publications, and previous drawings. In this way, both in theme and technique, the artist is working at the intersection of disciplined control and randomized instinct. Observational drawing coexists with selected patterns, colors, and images from media, assembled and pasted down like broad swaths of paint.
- Creator:Audrey Anastasi (American)
- Creation Year:2022
- Dimensions:Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU1339110032052
Audrey Anastasi
Audrey Frank Anastasi has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2022 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson at the Trailside Museum & Zoo, Bear Mountain State Park, NY, and the Stations of the Cross in the auditorium of Our Lady of Angels RC Church, Brooklyn. Her work is in Valentine Museum of Art, Brooklyn, NY, Munson Williams Proctor Art Institute, Utica, NY, Museum Pinacoteca do Estado de São Paulo, Brazil, Pfizer Corporation, NY, Avon Corporation, St. Vincent's Hospital Collection, NYC & MoMA Photography Archives.
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