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Alexandra Rozenman"Sunny Side Up", landscape, angel, grey, blue, yellow, watercolor, collage2020
2020
About the Item
Alexandra Rozeman’s “Sunny Side Up” is 12 x 9 inches watercolor-collage on paper. The playful figure of an angel is made out of eight kinds of painted and patterned paper. A character with a funny face floats in the open air with wings wide open and two chicken legs hanging right above the horizon line touching the yellow fence. Warm greys and soft light blues give us a feeling of a vast and open space. The piece is signed and titled on the back and initialed on the front.
This piece is one from Rozeman’s collage series with an idea of taking something apart and bringing it back together. Rozenman creates colored paper but also uses old watercolors as one of her materials.
Warm greys and soft light blues give us a feeling of a vast and open space. 9 x 12 inches, this piece is signed and titled on the back and initialed on the front.
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery in Boston, MA.
- Creator:Alexandra Rozenman (1971, Russian, Jewish)
- Creation Year:2020
- Dimensions:Height: 12 in (30.48 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Natick, MA
- Reference Number:Seller: Rozenman_Sunny Side Up1stDibs: LU50036703842
Alexandra Rozenman
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery in Boston, MA.
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