Post-Impressionist Still-life Drawings and Watercolors
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Botanical and Zoological Studies - Mixed Media Sketches and Paintings
Located in Cirencester, Gloucestershire
Title: Botanical and Zoological Studies - Mixed Media Sketches and Paintings
Artist: Roland Pichard
Medium: Mixed media, pencil, pen, and oil paper, mounted on card
Size: 19.75 (h...
Category
Mid-20th Century Post-Impressionist Still-life Drawings and Watercolors
Materials
Oil, Pencil
'Water Lilies', California Watercolor Society, SWA, Woman Artist, Zoltan Szabo
Located in Santa Cruz, CA
Signed lower right, 'Beverly Fields' (American, 20th century) and dated 1988.
Accompanied by a copy of the artist's poster from the same series.
This listed California artist has exhibited widely and with success and is the recipient of numerous medals and juried awards. Beverly Fields first studied with Zoltan Szabo and later with Charles Reid...
Category
1980s Post-Impressionist Still-life Drawings and Watercolors
Materials
Watercolor, Laid Paper
Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design.
Dimensions:
Framed: 19.5"x19.5"
Unframed: 12"x12"
Provenance:
Private collection of works by Raoul Dufy for Bianchini Ferier
Bianchini Ferrier Collection - Christie's London - July 2001
SF Fall Show
Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'.
And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF).
Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez.
Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category
1920s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Projet de Fleurs - Fauvist Flowers Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work flowers in red and blues with green foliage against a yellow and white stripped background.
Dimensions:
Framed: 25"x20"
Unframed: 18"x13"
Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'.
And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF).
Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez.
Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category
1920s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Gouache
'Pink Daisies', California Watercolor Society, SWA, Woman Artist, Zoltan Szabo
Located in Santa Cruz, CA
Signed lower right, 'Beverly Fields' (American, 20th century) and painted circa 1985.
This listed California artist has exhibited widely and with success and is the recipient of numerous medals and juried awards. Beverly Fields first studied with Zoltan Szabo and later with Charles Reid...
Category
1980s Post-Impressionist Still-life Drawings and Watercolors
Materials
Watercolor, Laid Paper
Projet de Tissus - Fauvist Still Life Study Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts a study of apples and pears. This work was executed by Dufy as a fabric design.
Dimensio...
Category
1920s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Gouache
'Apples and Cherry Blossoms', Modernist Still Life
By Sally Mack
Located in Santa Cruz, CA
Signed lower right "Sally Mack" (American, 20th century) and painted circa 1975. Painted on Arches paper.
A vibrant, Post-Impressionist still-life showing branches of cherry-blossom...
Category
1970s Post-Impressionist Still-life Drawings and Watercolors
Materials
Gouache, Paper
Fleurs et Papillons - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design.
Dimensions:
Framed: 17"x27"
Unframed: 10"x20"
Provenance:
Private collection of works by Raoul Dufy for Bianchini Ferier
Bianchini Ferrier Collection - Christie's London - July 2001
SF Fall Show
Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'.
And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF).
Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez.
Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category
1920s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
'Untitled No. 1', Royal Society of Artists, Edinburgh Academy, Palo Alto
By Thomas Guise
Located in Santa Cruz, CA
Signed lower right, 'T.G.M. Guise' for Thomas Gladstone Middleton Guise (Scottish, 1916-1984) and dated 1967.
Previously with: Los Robles Gallery, Palo Alto, California.
Thomas Guise studied art at Edinburgh College of Art under Thomson Adam Bruce, RSA (1947-1949) before serving with the Royal Artillery between 1939 and 1946. After returning to Scotland, Guise began working professionally as an artist and commenced his fruitful association with the Featherhal Press. Over the course of his career, he was the recipient of numerous prizes, medals and juried awards including the Award for Life Drawing (1947). Guise exhibited internationally with success and was a member of the Royal Society of Arts, the Royal Society of British Artists and the Royal Scottish Society of Painters in Watercolor among others.
Accompanied by an artist catalogue, 'T.G.M. Guise: Propinquity', Featherhall Press Limited, Edinburgh 1996.
Selected Group Shows 1948 - 1984:
RBA, RSA, RI, RSW, RGI, SSA, NEAC.
Arun Art Centre
The Bath Festival Exhibition
Selected Solo Shows:
1966 - Randolph Gallery, Edinburgh Festival
1967 - Encina Gallery Stanford University, California, United States
1968 - Los Robles Gallery, Palo Alto, California, United States
1968 - Randolph Gallery Edinburgh Festival
1970 - Clarkson Gallery, Victoria Street...
Category
1960s Post-Impressionist Still-life Drawings and Watercolors
Materials
Watercolor, Pen, Gouache
'Still Life of Roses', Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955.
An elegant and powerful work by this well-exhibited and well-listed California pai...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Gouache, Cardboard, Graphite
'Dog Roses in a Satsuma Vase', Japanese Decorative Arts, Lacquer Mirror
By Thomas Haight
Located in Santa Cruz, CA
A substantial and vibrant watercolor still-life showing a loose group of pink and red dog-roses informally arranged in an ivory-field, satsuma vase, set on a floral-pattern tableclot...
Category
1980s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Board
'Seated Nude', California Post-Impressionist, Louvre, Académie Chaumière, LACMA
Located in Santa Cruz, CA
Stamped verso with Victor di Gesu (American, 1914-1988) Estate Stamp and created circa 1955.
Graphite nude showing a young woman seated on a chair, one leg tucked beneath her, with ...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Graphite
'Still Life', Louvre, LACMA, Académie Chaumière, California Post-Impressionist
Located in Santa Cruz, CA
Victor Di Gesu (American, 1914-1988) estate stamp verso and painted circa 1960.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Cho...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Graphite
'Still Life' Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and painted circa 1955.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Gouache, Cardboard, Graphite
'Still Life', Louvre, California Post-Impressionist, LACMA, Académie Chaumière
Located in Santa Cruz, CA
Estate stamp, verso, for Victor di Gesu (American, 1914-1988) and painted circa 1955.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Watercolor, Laid Paper, Graphite
'Still Life with a Pewter Jug', Paris, Louvre Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Gouache, Graphite
Vase de fleurs by Paul Ranson, Pastel on paper, Still life, Drawing
Located in London, GB
Vase de fleurs by Paul Ranson (1864-1909)
Pastel on paper
46.5 x 41.5 cm (18 ¹/₄ x 16 ³/₈ inches)
Signed lower right, P. Ranson
Executed circa 1900
Proven...
Category
Early 1900s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Pastel
French Neo-Impressionist Still Life Pointillist Mid 20th Century Painting
By Louis Bellon
Located in Cirencester, Gloucestershire
Neo Impressionist Still Life
by Louis Bellon (French 1908-1998)
signed lower right
gouache painting on paper, unframed
measurements: 10 x 12.75 inche...
Category
Mid-20th Century Post-Impressionist Still-life Drawings and Watercolors
Materials
Gouache
'Sweet Peas', Louvre, Paris, Académie Chaumière, LACMA, SFAA, Carmel, California
Located in Santa Cruz, CA
Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor Di Gesu estate stamp.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Watercolor, Laid Paper, Pencil, Gouache
Floral gouache impressionist 'Always Roses' by Linda Clerget
Located in THOMERY, FR
The work of Linda Clerget is realized in an impressionist style à la gouache alla prima. The colors are broken and worked in the fresh.
Linda Clerget is a French artist known intern...
Category
21st Century and Contemporary Post-Impressionist Still-life Drawings and Watercolors
Materials
Archival Paper, Gouache
Flower Pot, Impressionist Gouache Painting by Eugene Baboulene
By Eugene Baboulene
Located in Long Island City, NY
Artist: Eugene Baboulene, French (1905 - 1994)
Title: Flower Pot
Year: circa 1960
Medium: Gouache on Paper, signed and dedicated l.r.
Size: 20 in. x 13 in. ...
Category
1960s Post-Impressionist Still-life Drawings and Watercolors
Materials
Gouache
Dimitri Berea Still Life
Located in San Francisco, CA
Dimitri Berea: 1908-1975. Very well listed Romanian artist with Auction results over $15,000, but sells for much higher in galleries He painted in the post impressionistic style. He ...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Watercolor
'Green Chair' Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with certification of authenticity.
Winner of the Prix Othon Friesz, Victor di Gesu first attended th...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Contemporary semi-abstract impressionist piece of red roses - "Deep Tenderness"
Located in VÉNISSIEUX, FR
This painting features an abundant bouquet of blooming rich red roses in a spherical vase.
This abundant arrangement carries a powerful message, expressing deep emotions and apprec...
Category
20th Century Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Oil
'Still Life', Chouinard Art School, Carmel Art Association, Santa Barbara Museum
Located in Santa Cruz, CA
Signed lower left, 'Sam Colburn' for Samuel Colburn (American, 1909-1993) and dated 1982.
A powerful, late work by this well-listed American regionalis...
Category
1980s Post-Impressionist Still-life Drawings and Watercolors
Materials
Watercolor, Gouache, Mulberry Paper
'Interior', Paris, Louvre, Salon d'Automne, LACMA, SFAA, Carmel
Located in Santa Cruz, CA
Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and painted circa 1955.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Cen...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Gouache
1944 Wartime Still Life Watercolor Painting Influential Ceramic Artist & Teacher
Located in Sutton Poyntz, Dorset
James Tower.
English ( b.1919 - d.1988 ).
Still Life Of Flowers In A Jug And A Bowl Of Apples, 1944.
Watercolor & Ink.
Signed & Dated Upper Right.
Image size 11.4 inches x 13.2 inch...
Category
Mid-20th Century Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Ink, Watercolor
1940s Wartime Still Life Watercolor Painting By A Famous Ceramic Potter Sculptor
Located in Sutton Poyntz, Dorset
James Tower.
English ( b.1919 - d.1988 ).
Still Life Of Flowers In A Jug And A Plate Of Fruit.
Watercolor & Ink.
Image size 15.4 inches x 13 inches ( 39cm x 33cm ).
Frame size 22.2 ...
Category
Mid-20th Century Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Ink, Watercolor
'Jeune Femme Assise', Paris, Charlottenborg, Danish Post Impressionist, Benezit
By Carl Fischer
Located in Santa Cruz, CA
Signed lower left, in graphite, 'Carl Fischer' (Danish, 1887-1962) and created created 1935. Watermarked 'Ingres Van Gelder Zonen' along right edge.
Carl Fischer first studied under Viggo Johansen...
Category
1930s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Graphite
Tribute to Photography - Original watercolor
Located in Paris, IDF
Gaston COPPENS (1909 - 2002)
Tribute to Photography
Original watercolor and tempera
Bearing the artist stamp on the back
On vellum (oval cut) 45 x 62 cm (c. 18 x 25 inch)
Excellent...
Category
Mid-20th Century Post-Impressionist Still-life Drawings and Watercolors
Materials
Tempera, Watercolor
'Bowl of Fruit', Paris, Louvre, Académie Chaumière et Etrangères, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.
A still-life of pears and apples with stems and leaves set in a terra-cotta bowl.
...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Crayon
Vase at Dusk - Expressionist Still Life Original Oil Painting by Wright
Located in Soquel, CA
Vase at Dusk - Expressionist Still Life Original Oil Painting by Wright
Brightly colored flowers sit in a vase on a table against hues of dark green giving the feel of darkness cree...
Category
1960s Post-Impressionist Still-life Drawings and Watercolors
Materials
Canvas, Acrylic
'Still Life with Pot-Belly Stove', California, Paris, Louvre, SFAA, LACMA
Located in Santa Cruz, CA
Painted circa 1955 by Victor Di Gesu, (American, 1914-1988) and stamped, verso, with certification of authenticity.
Winner of the Prix Othon Friesz, Victor di Gesu first attended t...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Gouache, Graphite
'Kitchen with a Pot Belly Stove' Paris, Louvre, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Gouache, Cardboard, Graphite
'Still Life with Tiger Lily', Paris, Académie Chaumière, LACMA, SFAA, Louvre
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Gouache, Graphite
'Cubist Kitchen Interior', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA
Located in Santa Cruz, CA
Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity.
A Cubist derived still-life in an interior showing fruit in a bowl ...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Gouache, Graphite
'Still Life', Paris, Louvre, Académie Chaumière, LACMA, SFAA, Carmel, California
Located in Santa Cruz, CA
Stamped verso for estate of Victor Di Gesu (American, 1914-1988) and painted circa 1955.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center an...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Graphite
'Still Life, Ochre and Rose', Paris, Louvre, Académie Chaumière, SFAA, LACMA
Located in Santa Cruz, CA
Signed, lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and painted circa 1955.
A mid-century Post-Impressionist oil still-life showing a book and a candlestick arra...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Oil
'Pot-Bellied Stove', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Painted circa 1955 by Victor Di Gesu, (American, 1914-1988). Stamped verso with certification of authenticity.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...
Category
1950s Post-Impressionist Still-life Drawings and Watercolors
Materials
Watercolor, Graphite, Paper, Gouache
1945 Wartime Still Life Watercolor English Coveted Ceramic Artist And Teacher
Located in Sutton Poyntz, Dorset
James Tower.
English ( b.1919 - d.1988 ).
Still Life Of Cut Flowers In A Pottery Jug, 1945.
Watercolor & Ink.
Signed & Dated Lower Right.
Image size 13.2 inches x 10 inches ( 33.5c...
Category
Mid-20th Century Post-Impressionist Still-life Drawings and Watercolors
Materials
Paper, Ink, Watercolor
“Roses and Pansies”
Located in Southampton, NY
Very well executed watercolor and gouache on heavy card stock of a spring bouquet composed of mainly roses and pansies. Unsigned. Circa 1915. Original gold painted wood frame. Under...
Category
1910s Post-Impressionist Still-life Drawings and Watercolors
Materials
Watercolor, Gouache, Cardboard
Still Life by Ludovic-Rodo Pissarro - Charcoal on paper
Located in London, GB
Still Life by Ludovic-Rodo Pissarro (1878-1952)
Charcoal on paper
28.4 x 24.3 cm (11 ⅛ x 9 ⅝ inches)
Signed lower right, L. Rodo
Provenance
Private Collection, London
This work is ...
Category
Early 20th Century Post-Impressionist Still-life Drawings and Watercolors
Materials
Charcoal, Paper
Post-impressionist still-life drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist still-life drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add still-life drawings and watercolors created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Victor Di Gesu, Beverly Fields, Joseph O'Sickey, and Eugene Baboulene. Frequently made by artists working with Paint, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist still-life drawings and watercolors, so small editions measuring 8 inches across are also available. Prices for still-life drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $300 and tops out at $1,450,000, while the average work sells for $2,750.