Mary Judge

Primavera Pop 27 - Blue Green Orange Red Geometric Abstract Mandala, 2022

2022

This contemporary geometric abstract drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Poptic 09 is a predominately yellow, orange ...

This multicolored drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Poptic 22.02 is a predominately vibrant fuchsia pink, yellow an...

This contemporary reddish brown pigment drawing was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. Pigment passes through leaving ma...

This contemporary reddish brown pigment drawing was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. Pigment passes through leaving ma...

Ellen Hackl Fagan is an interdisciplinary abstract painter who uses synaesthesia, digital media and interactive performance as tools for developing a corresponding language between color and sound in her work. This year she focused in on the core concept in her abstract work and began creating a small series of works on paper titled “Seeking the Sound of Cobalt Blue.” This series has evolved into floor to wall installations of blue paintings on paper and on the floor that explore the nature of printmaking processes, texture and surface. Ellen Hackl Fagan is the inventor of The Reverse Color Organ and the ColorSoundGrammar Game, two projects that enable viewers to interact aurally with color. In collaboration with cognitive scientist Michael Cole...

Toni Simon is a multimedia artist and writer living in Brooklyn. Her work encompasses the ways in which the future will appear, the shape of things to come, accessed through trance s...

Ernesto Neto Quem paga o arrego, spray! (Who pays the bill, spray!), 2012 Ink on Cotton Rag Paper, signed & numbered. Signed, dated and numbered from the ...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...