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Ronald Jesty RBA
Ronald Jesty RBA (1926-2016) - 1973 Watercolour, Borrowdale, Cumbria

1973

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Frederick Edward J Goff (1855-1931) - Framed Watercolour, Winchester
Located in Corsham, GB
A finely painted autumnal study of Winchester Cathedral by the listed and highly collected British artist Frederick Edward Joseph Goff (1855-1931). Presented in a beautiful bird's-ey...
Category

Early 20th Century Landscape Drawings and Watercolors

Materials

Watercolor

John Baragwanath King (1864-1939) - Framed Watercolour, Homestead at Eventide
Located in Corsham, GB
Streaking across the night's sky is this stunning depiction of a red sunset falling behind trees. The artist has signed the landscape to the lower left, and the watercolour has been ...
Category

Late 19th Century Landscape Drawings and Watercolors

Materials

Watercolor

Frederick William Booty (1840-1924) - 1909 Watercolour, At The Watermill
Located in Corsham, GB
A charming watercolour scene depicting a woman on the steps of a watermill in the early morning sun. Signed and dated to the lower right. Presented in a part gilt frame with an egg a...
Category

Early 20th Century Landscape Drawings and Watercolors

Materials

Watercolor

John Burgess (1814-1874) - Framed Watercolour, Normandy View near Avranches
By John Burgess
Located in Corsham, GB
This panoramic landscape captures a sweeping vista near Avranches. Rolling countryside leads to a distant shoreline, with dramatic cloudy skies overhead. In the foreground, a winding...
Category

Mid-19th Century Landscape Drawings and Watercolors

Materials

Watercolor

William J. Ferguson (fl.1849-1886) - Framed Watercolour, Autumn Tints
Located in Corsham, GB
A delightful autumnal watercolour by the listed Scottish artist William J. Ferguson (fl. 1849-1886). Inscribed by the artist on the reverse 'Autumn Tints. W.J. Ferguson 7 Garfield Vi...
Category

Late 19th Century Landscape Drawings and Watercolors

Materials

Watercolor

Framed 19th Century Watercolour - Wooded Landscape with Abbey Ruins
Located in Corsham, GB
A wonderfully detailed 19th-century monochrome watercolour on paper. Well presented in a wash-line mount and gilt-effect frame. Unsigned.
Category

19th Century Landscape Drawings and Watercolors

Materials

Watercolor

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We acquired a series of paintings from Claude Muncaster's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Claude Munca...
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Castle San Angelo, Rome, David Roberts, 19th Century Original Watercolour
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Pencil, watercolour and bodycolour heightened with white. Image size: 9 1/2 x 13 1/4 inches (24 x 34 cm) Hand made gilt frame Provenance The Fine Art Society 1981 (Label Verso) Priv...
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Located in Southampton, NY
Original watercolor of a waterfall with birch trees on illustration board by the well known American artist, William Paskell. Signed lower left. Condi...
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Architectural design for House on Round Island, Poole Harbour by Edward Maufe
By Edward Maufe
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To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Sir Edward Maufe (1882 - 1974) Design for House on Round Island...
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Circular Temple at Baalbek, Rare Original Signed Watercolour by David Roberts
By David Roberts
Located in London, GB
Watercolour with touches of bodycolour on buff paper, signed lower middle and inscribed and dated '1839' lower left Image size: 8 1/2 x 12 1/4 inches (22 x 31 cm) Acid free mount and period style gilt frame This original watercolour by Roberts depicts the temple at Baalbek with the ruined palace behind, seen from the opposite bank of a brook, where a group of figures are seated and kneeling around a table, with an arched bridge nearby. David Roberts was the first professional British artist to travel independently to the Middle East in 1838. He was the first British artist to draw the ruins of Ancient Egypt and Roberts produced a series of finished watercolours, including the painting, which he had worked up from sketches made during his tour. Like many British artists he used the familiar visual language of European landscapes to capture the unfamiliar scenery. By using architectural motifs to provide structure to compositions like this he is able to present a dramatic scene of classical grandeur, illuminated by sunlight complemented by a large area of shade in the foreground. The dramatic scene is enhanced by the three groups of figures, which convey the sense of scale. The figures also give the picture richer, darker and redder tones that contrast with the sandy colours of the architecture. This painting uses a lot of the essential ingredients that make up a picturesque scene: distant mountains, classical ruins and figures for human interest and to convey motion. Robert's Trip to Baalbek David Roberts visited Baalbek near the end of his travels around Egypt and the Middle East. Roberts and his party rode to the site of Baalbek on 2nd May in a heavy-rain storm. He was miserable, totally drenched and feverish. But the sight of the ancient Roman settlement rallied him. Despite his physical debilitation, 'I was... so much struck with the magnificence of the temple, that I could not resist visiting and examining it'. The storm then continued through the night, pummelling the traveller's tents. In the morning, Roberts felt extremely ill and sought the help of a Greek priest, who found him dry shelter in a cowshed. For the first time on his gruelling journey, Roberts devoted the whole day to bed rest. On May 4th, regaining some strength, Roberts explored the site. With obscure origins connected with the god Baal, the city of Baalbek had grown to importance in Hellenistic times, when it was known as Heliopolis ('The City of the Sun'). In the first century B.C. the Romans had established a cult of the Heliopolitan Jupiter there, and both Josephus Flavius...
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