Avigdor Arikha Modernist Israeli Lithograph Jerusalem Landscape Bezalel School

View Similar Items

(after) Paul Klee - Three House, Green-Violet Gradation - Lithograph and Stencil

Raffaele De Grada - Landscape - Lithograph by Raffaele De Grada - Early 20th Century

(after) Paul Klee - Ventriloquist Shouting in the Swamp - Lithograph and Stencil

(after) Paul Klee - Room Perspective - Lithograph and Stencil

Paul Klee - Mechanical Chaos - Lithograph and Stencil

Avigdor Arikha - Avigdor Arikha Modernist Israeli Lithograph Jerusalem Landscape Bezalel School

Kind of Cyan - Coastal Blue Cyanotype of Day Time Seascape, Cold Waves, Nautical Painting Shore

Avigdor Arikha - Avigdor Arikha Modernist Israeli Lithograph Jerusalem Landscape Bezalel School

Want more images or videos?

Request additional images or videos from the seller

1 of 11

Avigdor Arikha
Avigdor Arikha Modernist Israeli Lithograph Jerusalem Landscape Bezalel School
1978

Name: Avigdor Arikha Modernist Israeli Lithograph Jerusalem Landscape Bezalel School
Brand: Avigdor Arikha
Rating: 4.9 (103 reviews)

About the Item

Hand signed in pencil and hand numbered lithograph on fine French Arches paper. Jerusalem Landscape. Avigdor Arikha (April 28, 1929 – April 29, 2010) was a Romanian-born French–Israeli painter, draughtsman, printmaker, and art historian. Avigdor Arikha (originally Victor Długacz) was born to German-speaking Jewish parents in Radauti, but grew up in Czernowitz in Bukovina, Romania (now in Ukraine). His family faced forced deportation in 1941 to the Romanian-run concentration camps of Transnistria, where his father died. He survived thanks to the drawings he made of deportation scenes, which were shown to delegates of the International Red Cross. Arikha immigrated to Palestine in 1944, together with his sister. Until 1948, he lived in Kibbutz Ma'ale HaHamisha. In 1948 he was severely wounded in Israel's War of Independence. From 1946 to 1949, he attended the Bezalel School of Art in Jerusalem. In 1949 he won a scholarship to study at the Ecole des Beaux Arts in Paris, where he learned the fresco technique. From 1954, Arikha resided in Paris. Arikha was married from 1961 until his death to the American poet and writer Anne Atik, with whom he had two daughters. In the late 1950s, Arikha established himself as an abstract painter, but he eventually came to think of abstraction as a dead end. In 1965 he stopped painting and began drawing, only from life, treating all subjects in a single sitting. He engaged in drawing and printmaking only for the next eight years. In 1973, he resumed painting and became "perhaps the best painter from life in the last decades of the 20th century", as he was hailed in an obituary in Economist magazine. Arikha painted directly from the subject in natural light only, using no preliminary drawing, finishing a painting, pastel, print, ink, or drawing in one session. His profound knowledge of art techniques and masterly draughtsmanship enabled him to abide by this principle of immediacy, partly inspired by Chinese brush painting. It was a principle he shared with his close friend Henri Cartier-Bresson, to whose "instant décisif" it was analogous. He never drew from memory or photographs, aiming to depict the truth of what lay before his eyes at that moment. He is noted for his portraits, nudes, still lifes, and landscapes, rendered realistically and spontaneously. In their radical spatial composition, his work clearly harks back to abstraction, and in particular Mondrian. Arikha painted a number of commissioned portraits, including that of H.M. Queen Elizabeth, the Queen Mother (1983), Lord Home of the Hirsel, former Prime Minister of the United Kingdom (1988), both in the collection of the Scottish National Portrait Gallery, Edinburgh. Other portraits include those of Catherine Deneuve (1990) for the French State, or that of the former Prime Minister Pierre Mauroy for the city of Lille. Arikha also illustrated texts by Samuel Beckett, with whom he maintained a close friendship until the writer's death. Art critic Marco Livingstone wrote that Arikha "bridged the modernist avant-garde of pure abstraction with traditions of observational drawing and painting stretching back to the Renaissance and beyond. He was truculently insistent that he was not part of any "return to figuration", but rather had found his own way as "a post-abstract representational artist"." He is considered amongst the best artists of Israel and has exhibited alongside Israeli artists such as Reuven Rubin, Nachum Gutman, Mordecai Ardon, Yehezkel Streichman, Josef Zaritsky, Michael Gross, Yaacov Agam and Moshe Gershuni, as well as important contemporary Israeli artists Michal Rovner, Sigalit Landau, Yehudit Sasportas and Adi Nes, amongst others. As an art historian, Arikha wrote catalogues for exhibitions on Poussin and Ingres for which he was curator at the Musée du Louvre, the Frick Collection of New York, the Museum of Fine Arts, Houston, and the Israel Museum in Jerusalem. His writings include Ingres, Fifty Life Drawings (Museum of Fine Arts, Houston/Frick Collection, New York, 1986); Peinture et Regard (Paris: Hermann, 1991, 1994; new, augmented edition 2011); On Depiction (London: Bellew Publishing, 1995); and numerous essays published in such journals as the New York Review of Books, The New Republic, Commentaire, Literary Imagination, etc. He was invited to speak at Princeton University, Yale University, the Frick Collection in New York, and the Prado Museum in Madrid. In 2006, he was invited by the Thyssen-Bornemisza Museum in Madrid to select a number of works from its collection and write entries for the exhibit catalogue. Arikha showed frequently (every two years, in London and New York) at the gallery that represented him from 1972, Marlborough, (they showed Frank Auerbach, Lucian Freud, R.B. Kitaj, Beverly Pepper, and other great Jewish artists) and over the decades he had over two dozen solo shows. In 1998 Arikha had a major retrospective at the Israel Museum, Jerusalem (of paintings) and at the Tel Aviv Museum of Art (of prints and drawings), which travelled to Edinburgh's Scottish National Gallery of Modern Art in 1999. From July 2006 – January 2007 there was an exhibition at the British Museum of Arikha's bequest to it of one hundred prints and drawings. There was a retrospective of his prints at the Bibliothèque Nationale in Paris in 2008. From June to September 2008 the Thyssen-Bornemisza Museum in Madrid hosted another retrospective exhibition of the artist. The Estate of Avigdor Arikha has been represented by Blain Southern since 2018, with the first exhibition of landscapes in Berlin.[ In June 2019, 50 of Arikha’s works were exhibited in a retrospective of his work at the Benaki Museum in Athens. Awards and recognition 1954 Gold Medal, Triennial for Applied Art, Milan, Italy 1959 Prize, Painters and Sculptors Exhibition, Graduates of Youth Aliyah 1978 Chevalier des Arts et des Lettres, France 1987 Grand Prix des Arts de la Ville Paris, Paris, France 1989 Prix des Arts des Lettres et des Sciences, Fondation du Judaïsme Français, Paris, France 1995 Honorary Professor, National Academy of Fine Arts of China, Hangchow, China 1997 Doctor Honoris Causa of Philosophy, The Hebrew University, Jerusalem 2005 Chevalier of the Légion d'honneur, Paris, France

Creator:
Avigdor Arikha (1929 - 2010, Israeli)
Creation Year:
1978
Dimensions:
Height: 15 in (38.1 cm)Width: 19 in (48.26 cm)
Medium:
Lithograph
Movement & Style:
Modern
Period:
1970-1979
Condition:
Minor wear. Please see photos.
Gallery Location:
Surfside, FL
Reference Number:
1stDibs: LU3825666032

Located in Paris, IDF

Paul KLEE (after) Room Perspective Lithograph and stencil (Jacomet process) Printed signature in the plate On canson vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : This lithogr...

Category

1960s Modern Landscape Drawings and Watercolors

Materials

Lithograph

(after) Paul Klee
Room Perspective - Lithograph and Stencil, 1964

$580 Sale Price

23% Off

Mechanical Chaos - Lithograph and Stencil

By Paul Klee

Located in Paris, IDF

Paul KLEE (after) Mechanical Chaos Lithograph and stencil (Jacomet process) Printed signature in the plate On canson vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : This lithogr...

Category

1960s Modern Landscape Drawings and Watercolors

Materials

Lithograph

Mechanical Chaos - Lithograph and Stencil, 1964

$928

Coastal Blue Cyanotype of Day Time Seascape, Cold Waves, Nautical Painting Shore

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...

Category

2010s Modern Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Lithograph

Kind of Cyan
Coastal Blue Cyanotype of Day Time Seascape, Cold Waves, Nautical Painting Shore, 2025

$420

More Ways To Browse

Scottish Books First Editions

1944 Landscapes Samuel

Celebrity Photographs

Paris Poster

Etchings France

Avigdor Arikha Modernist Israeli Lithograph Jerusalem Landscape Bezalel School

View Similar Items

Avigdor Arikha
Avigdor Arikha Modernist Israeli Lithograph Jerusalem Landscape Bezalel School
1978

About the Item

More From This Seller

1970s Modern Landscape Drawings and Watercolors