Judith Bledsoe

Atlanta Olympics - Star Athletes, Pastel and Collage on Paper by Judith Bledsoe

circa 1996

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics - Track and Field. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 25 x 19.5 in. (63.5 x 49.53 cm...

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics - Cat and Torch. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 25 x 19.5 in. (63.5 x 49.53 cm),...

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics - Swimming and Running. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 25.5 x 10.5 in. (64.77 x ...

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics - Athlete with Ball. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 25.5 x 19.5 in. (64.77 x 49....

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

Three's a Crowd, whimsical colorful pastel on toned paper A Brooklyn native, much of Basso's wildly imaginative artwork was inspired by travel to Jamaica, Puerto Rico, and especiall...

Price and size includes frames (maple wood with white mats). Artwork 20" x 26" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...