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Janet Ament De La Roche
'Spanish Dance Class', Musee d'Art Moderne, Paris, SFAA, LACMA, Carmel, Monterey

Circa 1965

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'Abstracted Figure', Sydney, Museum of Modern Art in Sao Paulo, Brazil
Located in Santa Cruz, CA
Signed lower right, 'Bonorat' and painted circa 1980 An elegant, modernist figural painting and early work by this Sydney-based Mexican artist who studied at the National School of Fine Arts in Mexico City (1982-84) and, subsequently, at the Museum of Modern Art in Sao Paulo, Brazil (1986). STUDIES 1982-1984 Painting and Drawing Ateliers – National School of Fine Arts, Mexico City 1985-1986 Artistic Experimentation – Carrillo Hill Museum, Mexico City 1986 Metal Engraving – Museum of Modern Art Sao Paulo Brazil SOLO EXHIBITIONS 1986 Art Gallery of Santos Municipal Cultural Centre, Sao Paulo, Brazil 1988 Art Gallery of Porto Alegre Municipal centre, R.S. Brazil 1991 Gallery Casa de la Cultura, Morelia Mexico 1994 The Beatty Gallery, Sydney 1996 The Beatty Gallery, Sydney 1996 Michael Burke Gallery, Brisbane 1997 The Beatty Gallery, Sydney 2019 ‘Golden Trinity’, Thienny Lee Gallery, Sydney 2019 ‘Continuous Thread, GAFFA Gallery, Sydney GROUP EXHIBITIONS 1985 Mail Art Network Kyoto City Museum, Kyoto Japan 1987 Banespa Cultural Centre, Sao Paulo Brazil 1988 IV National Contest of Fine Arts, Cubatao Brazil 1992 NCA Gallery, Sydney 1994 The Beatty Gallery, Sydney 1994/5/6 Selected for the “Fisher’s Ghost” Art...
Category

1980s Modern Figurative Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Gouache

'Horizon Rise', American Figurative Abstraction, Native American
Located in Santa Cruz, CA
Signed lower right, 'V. Vigil' for Veloy Vigil (American, 1931-1997). Previously with: Los Robles Gallery, Palo Alto, California Born in Denver, Colorado,...
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1970s Abstract Figurative Drawings and Watercolors

Materials

Paper, Gouache

'White Iris', California Post-Impressionist Landscape, SJSU, Mount Madonna
By John Maxon
Located in Santa Cruz, CA
Signed lower right, "Maxon" for John Maxon (American, 20th century) and created circa 1995. Additionally titled, verso, 'White Flower'. Monotype with additional hand-painted detail. ...
Category

1990s Post-Impressionist Abstract Prints

Materials

Paper, Monotype, Gouache

'Girl in Red', Guggenheim, LACMA, Rome, Academy of Fine Arts, Venice Biennale
By Carlo Maria Mariani
Located in Santa Cruz, CA
Signed upper right, 'C. Mariani' for Carlo Maria Mariani (Italian, 1931-2021) and dated 1959. Framed dimensions: 22.5 x 1.5 x 17.5 inches A native of Rome, Carlo Mariani first studied there at the Academy of Fine Arts where he was influenced by the prevailing styles of Hyper-Realism and Conceptualism. In 1994, he moved to New York City where he began to paint figural landscapes in a traditional, neo-classical style. The 1990s brought Mariani wide recognition and numerous honors, as he represented Italy three times at the Venice Biennale. Additionally, in 1998, he received the prestigious Antonio Feltrinelli Award for lifetime achievement in painting. Mariani continues to be best known for his refined and painterly, Renaissance technique. He was a central figure in Rome’s avant-garde in the 1970s and is widely regarded as an influential forerunner of 1980's Postmodernism. He achieved an international reputation, beginning in the early 1980s, for his arcane and, often, controversial paintings...
Category

1950s Post-Impressionist Figurative Drawings and Watercolors

Materials

Paper, Gouache

'Nude in Coral and Jade' Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA
By Victor Di Gesu
Located in Santa Cruz, CA
Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with certification of authenticity. A bright, Post Impressionist figural gouache of a woman shown sta...
Category

1950s Post-Impressionist Figurative Drawings and Watercolors

Materials

Paper, Gouache, Cardboard

'Seated Nude', Paris, Louvre, LACMA, Académie Chaumière, SFAA, California Fauve
By Victor Di Gesu
Located in Santa Cruz, CA
Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. An elegant figural interior showing a young woman seated on a bed beside a table bearing a vase...
Category

1950s Post-Impressionist Nude Paintings

Materials

Watercolor, Gouache, Handmade Paper

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Whispers & Hisses Series: 'In Worship'
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This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
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"#70 – I AM TIRED", ink, pencil, gouache, collage, vintage, hemingway, poetry
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"#70 – I AM TIRED" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 70 of a found copy of Ernest Hemingway'...
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Charcoal and gouache on paper Paper size: 9x 11.5 inches Framed size: 23.5 x 25.75 inches Signed lower right Provenance: Raymond Spencer Co.; Galerie Dominion, Montreal, 1982; Dr Max Stern, Montreal, 1982; Leslie Sacks Fine Art, Los Angeles; Purchased by Haynes Fine Art...
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"#187 – HE SAID IT WAS A LIE", ink, pencil, gouache, found vintage book, poetry
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