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Arno BrekerNude signed Arno Breker1930
1930
About the Item
Arno Breker is an artist supported by the Nazi regime and a German sculptor whose neoclassical works meet the military aesthetic of the regime. Breker was born on July 29, 1900, in Elberfeld, Germany and enrolled at the Düsseldorf Academy of Arts. He left his studies in 1924, moved to Paris and met avant-garde artists like Jean Cocteau, Jean Renoir, and Pablo Picasso. Over time, Breker rejects the influence of surrealism and cubism to pursue a more conservative aesthetic. He returns to Germany when the Nazi regime comes to power, praised by Adolf Hitler who describes his work as "powerful and full of will". His sculptures often present the ideal figure of the Aryan man and are exhibited at the 1936 Olympic Games and at the entrance of the Reich Chancellery. After the Second World War, his work is denounced as fascist and falls out of favor. However, there is renewed enthusiasm for his works at the opening of the Arno Breker Museum in Nörvenich, Germany in 1985, later renamed the European Art Museum following numerous events. Breker died on February 13, 1991, in Düsseldorf, Germany.
- Creator:Arno Breker (1900 - 1991, German)
- Creation Year:1930
- Dimensions:Height: 22.05 in (56 cm)Width: 27.56 in (70 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:a certificate from the family is available.
- Gallery Location:Pasadena, CA
- Reference Number:1stDibs: LU40634542702
The son of a stone carver, Arno Breker studied fine art and anatomy in his native Elberfeld. At the age of 20, he entered the Düsseldorf Academy of Art. He moved to Paris in 1926, where he continued his training in the studio of Maillol, who dubbed him "the German Michelangelo of the twentieth century". He shared a studio with Alexandre Calder and frequented Jean Cocteau, Foujita, Brancusi, Pablo Picasso and other artists of the bohemian Paris of the time. It was also in Paris in 1933 that he met Demetra Messala, the daughter of a Greek diplomat who posed for Maillol and Picasso, whom he married in 1937. Having won the Prussian Prix de Rome in 1932, he left Paris to stay at the Villa Massimo, the German Academy in Rome. Returning to Germany in 1934, his style evolved towards a more marked imitation of ancient sculpture. He created two monumental statues for Berlin's Olympic Stadium, before being appointed professor at the Berlin College of Fine Arts in 1937. He came to the attention of the Reich Propaganda Ministry, which awarded him several commissions and provided him with three large studios in which Breker produced many monumental sculptures to the glory of the regime. On June 23, 1940, Breker accompanied Adolf Hitler during a visit to Paris. During the Occupation, his political connections enabled him to intervene on behalf of many artists pursued by the Nazis: for example, he protected Pablo Picasso (then a Communist) from Kommandantur officers. Most of Arno Breker's work was destroyed in Berlin at the end of the war in 1945 by bombing and intentional destruction perpetrated by soldiers of the victorious powers. After the fall of the Nazi regime, however, Arno Breker was never prosecuted. He opened a new studio in Düsseldorf, where he sculpted until his death in 1991. He then carried out several public commissions in Germany (Bayreuth, Wuppertal), as well as portraits of numerous personalities, including King Mohammed V of Morocco, Léopold Sedar Senghor (commissioned by the Académie Française in 1978) and the two chancellors of the Federal Republic of Germany, Konrad Adenauer and Ludwig Erhard. The Arno Breker Museum in Nörvenich is now exhibiting some of his artworks.
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