Jean Cocteau

Jean Cocteau Ink Drawing in Sepia - Defeated Toreador

1962

Original pen and ink drawing by New York Abstract Artist, John Sennhauser (1907-1978) Signed lower right "J. Sennhauser" and dated '44. Titled and dated on the verso: "Line in Motion...

Bucolic watercolor by Saturday Evening Post illustrator, Stevan Dohanos, (1907-1994). The painting measures: 7" H x 8" W. Frame size is approximately 18" H x 18 3/4" W. It is in exce...

Willaim Hesthal California artist original watercolor. Surreal and whimsical circus scene with clowns. Signed lower right “Hesthal” and dated ‘39. Sheet measures 16" H x 23' W. Excel...

Raphael Soyer Original Lithograph - Watercolor added by the artist's hand, 1955 The image measures 13" H x 8 ½" W. Frame measures: 23 1/4"H x 18" W Signed lower right in pencil bene...

"Talking Lines" This intuitive abstract drawing in chocolate tones is made with Chinese ink and pastel on thick kraft paper. It conveys an impulse born in the space of sensations. ...

Full Moon Goddess, Light of Ways is a Drawing realized by Iranian artist and Poet Parimah Avani in 2023. China ink, acrylic, and mixed media on Himalayan Washi Lokta paper with appl...

Golden Ballad of Hope is realized by Iranian Painter and Poet Parimah Avani in 2023. Sumi, Persian ink, and acrylic on kraft paper. Hand-signed and dated. Excellent conditions. From the series "Resistance and Alchemical Metals" The artwork is realized poeticly, with an exclusive title that refers to the socio-political context, and the application of limited color of metals" various copper, gold, silver, bronze" have metaphorical features of alchemy. In this series artist took positions, and gestures of revolutionary and rebellious bodies on the battlefield of revolution and transformed them dynamically into precious sources of resistance by spiritual transitions of colors akin to alchemy, meat, and blood found their symbolic meaning through colors and expressive brushstrokes, metals here refer to bodies of freedom seekers, shapable, flexible, shiny and a source of strength, that highlights how a body becomes a battlefield, a golden source of sacrifice, a silver font of resistance, copper as blood in fighting for freedom.  What makes this series unique: it is deeply behind the dynamic emotion of each gestural figure, in a minimalistic manner, and the vigorous and unbridled energy of brushstrokes, is raw, spontaneous, and emotionally charged.  Her works in this series challenge oppression and gender-related issues by applying oriental brushstrokes of calligraphy in ink as a primary tool, to fragile subjects.  Parimah Avani, born in 1988 in Tehran, Iran, is a multidisciplinary artist and a recognized figure in contemporary hermetic Persian literature and the avant-garde "Other" movement. Her book, "Magic Verses of Antalus," was a finalist for the prestigious "Shamlou" Award. Her most recent achievement is winning an art competition for a scholarship from Werkstatt Plettenberg in Germany, culminating in a solo exhibition held at the Gallery of the German Bank of Sparkasse. Avani's artistic journey began with travels to China and Russia during her formative years, oriental philosophies, particularly Zen and Buddhism, and folk arts ignited her passion for comparative mythology evident in her archaic style. In 2009, she moved to Rome, Italy to study multimedia art, and gained a Master’s in painting at the Fine Art Academy of Rome. Immersed in cultural parallels between East and West, mythological themes transcend boundaries in art, exploring magic and ancient scripts inspired by the scholarly insights of Frazer and Eliade on rituals. Her anthropological view culminated in a Ph.D. in the history of contemporary art...

Silvery Song of Resistance is realized by Iranian Painter and Poet Parimah Avani in 2023. Sumi, Persian ink, and acrylic on kraft paper. Hand-signed and dated. Excellent conditions. From the series "Resistance and Alchemical Metals" The artwork is realized poeticly, with an exclusive title that refers to the socio-political context, and the application of limited color of metals" various copper, gold, silver, bronze" have metaphorical features of alchemy. In this series artist took positions, and gestures of revolutionary and rebellious bodies on the battlefield of revolution and transformed them dynamically into precious sources of resistance by spiritual transitions of colors akin to alchemy, meat, and blood found their symbolic meaning through colors and expressive brushstrokes, metals here refer to bodies of freedom seekers, shapable, flexible, shiny and a source of strength, that highlights how a body becomes a battlefield, a golden source of sacrifice, a silver font of resistance, copper as blood in fighting for freedom.  What makes this series unique: it is deeply behind the dynamic emotion of each gestural figure, in a minimalistic manner, and the vigorous and unbridled energy of brushstrokes, is raw, spontaneous, and emotionally charged.  Her works in this series challenge oppression and gender-related issues by applying oriental brushstrokes of calligraphy in ink as a primary tool, to fragile subjects.  Parimah Avani, born in 1988 in Tehran, Iran, is a multidisciplinary artist and a recognized figure in contemporary hermetic Persian literature and the avant-garde "Other" movement. Her book, "Magic Verses of Antalus," was a finalist for the prestigious "Shamlou" Award. Her most recent achievement is winning an art competition for a scholarship from Werkstatt Plettenberg in Germany, culminating in a solo exhibition held at the Gallery of the German Bank of Sparkasse. Avani's artistic journey began with travels to China and Russia during her formative years, oriental philosophies, particularly Zen and Buddhism, and folk arts ignited her passion for comparative mythology evident in her archaic style. In 2009, she moved to Rome, Italy to study multimedia art, and gained a Master’s in painting at the Fine Art Academy of Rome. Immersed in cultural parallels between East and West, mythological themes transcend boundaries in art, exploring magic and ancient scripts inspired by the scholarly insights of Frazer and Eliade on rituals. Her anthropological view culminated in a Ph.D. in the history of contemporary art...