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Amal Nasr"Seascape II" Abstract Inc & Watercolor Painting 10" x 14" inch by Amal Nasr2020
2020
About the Item
"Seascape II" Abstract Inc & Watercolor Painting 10" x 14" inch by Amal Nasr
watercolor & ink on paper
“New Horizon” series
There is a constant quest to restore the joy of discovery and the pleasure of the first experience, and the passion of moving to another, more astonishing and attractive horizon. It is what keeps our hearts alive instead of being killed by the monotony of habit. So was my moving to a sprawling dream, and I found it in my new painting experience which is inspired by the world of primitive art and ancient civilizations which have always fascinated me and which I found my soul drawn to.
The common denominator between these arts is the unity of the human spirit and its perplexity in confronting the world with its unknown forces and unjustified phenomena. The ages of humanity’s virginity, its initial instinct and its visual expression of the unknown, from a time when everything around man was new, enjoying the beauty of discovering and interpreting the initial step in everything. Each morning brings a new discovery that is in direct harmony with nature and as man faced these new unknowns, drawing was his first language. Even older than the practice of speaking and writing, drawing is perhaps the most primitive instinct. For how to confront the unknown, other than by embodying it, confronting it, and surpassing it.
Man found that he had something to narrate and that his experiences that began to accumulate gave him the ability to make events and stories and mix between imagination and reality, because his mind was taking him to horizons beyond his limited spatial spot. He does not place the imaginary difference, which we have invented in our contemporary life, between him and the creatures, therefore he depicts his new creatures that mix between humans, reptiles, birds, fish and animals; He may choose from each of them the part that is capable of escaping and confronting. He also does not place a barrier between the living and the dead, for the ancestral spirits are still present, he reproduces them, embodies them, and is empowered by them. He makes totems and taboos, and reveres magicians, priests, and everything he believes has the ability to penetrate the unknown. I contemplated the vocabulary of the ancient arts until my memory was saturated with them, and when I begin my work the vocabulary begins to flow, mixed with the new formulas that my imagination has performed on it.
I was inspired by strange spirits in its innate formulation of beings and mixed between them without any restrictions. I collected them in a unifying theatrical performance that contains the vocabulary of primitive and ancient civilizations from various sources that come together forming a new horizon. Lascaux cave fishermen converse with indigenous Australian figures, Maya and Aztec sculptures converse with Jordan’s two-headed Ain Ghazal statues, Greek Aphrodite contend with Assyrian Ishtar and Venus of Willendorf, pre-dynastic boats still capable of transporting us to new lands, ivory Greek statues conversing with Naqada brides of ancient Egyptian and Syrian women, and the Alexandrian women of Tanagra. The nymphs from the Odessa epic warning the ships, the gazing eyes of Coptic Fayum portraits, and the ancient zodiac vocabulary still drawing us the maps of time. I am always continuing in my search for new horizons amongst the messages of our ancestors, spirits alive inside us that we can gain new sparks of life from, knowing that preserving the pureness of our souls is what preserves the secret of life.
- Creator:Amal Nasr (1965, Egyptian)
- Creation Year:2020
- Dimensions:Height: 10 in (25.4 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Culver City, CA
- Reference Number:1stDibs: LU1085115984892
Amal Nasr
Born in Alexandria in 1965, Dr. Amal Nasr graduated top of her class with a BA in Fine Arts with a specialization in painting in 1988 from Alexandria University. She was appointed as a teaching assistant in the photography department upon graduation, and gained a master’s in photography in 1993. She earned her doctorate of philosophy in 2000 in photography, with a focus on the contemporary vision of the aesthetics of composition in oriental arts. In 2005 she became assistant professor in the photography department at her alma mater before becoming professor with tenure in 2010. Nasr has been a researcher and critic in the field of the visual arts, and has held over seventeen personal exhibitions in Egypt where she has featured in most of the largest collective exhibitions in the country. Nasr has had her works exhibited in the U.K., Italy, Jordan, Kuwait, India, France and China and has conducted workshops in Tunisia, Jordan and Syria besides Egypt. Nasr’s art has earned her accolades domestically, with her first coming in the 1990 Youth Salon’s (Salon El Shabab) second edition where she won the first prize in painting. At the third edition she captured the photography prize a year later, and in 1998 the State Prize for Creativity in the photography section. In 2011 she was again decorated by the government with the State Incentive Award for her role as a critic of fine art, and in 2019 the award for scientific excellence from Alexandria University. Nasr joined Safarkhan’s resident artist family in 2021. Nasr’s painting has gone through various periods, and with each one she has demonstrated her versatility as an artist and the depth of her compositional repertoire. She contemplates the meaning of the ancient arts and combines these messages with new formulas that her imagination concocts. Nasr’s art is therefore inspired by the strange spirit of ancient art, which to her resembles a kind of theatrical performance containing the pictorial language of primitive and ancient civilizations from various sources. The breadth of her artistic portfolio encompasses a variety of styles spanning abstract, figurative, expressionist and impressionist. What makes Nasr’s art special is the sensitivity with which she imagines her canvases, with everything in them from the animals to the humans to even the backgrounds and inanimate shapes and settings pulsating with a palpable enigmatic aura.
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