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Albert Al Hirschfeld"Frank Sinatra, Paul Newman, and Eva Marie Saint"
About the Item
Ashley John is proud to offer this artwork by:
Albert Hirschfeld (1903 - 2003)
Albert Hirschfeld is known for his pen and ink personality caricatures of theatre people. He worked as the theatre caricaturist for The New York Times. Hirschfeld had won numerous awards including one special Tony Award in 1984.
Hirschfeld was born in St. Louis and moved to New York at age 12 where he studied at the Art Students League. In 1924 Hirschfeld moved to Europe to study painting, sculpture and drawing at the Academy Julian. Hirschfeld became a notable figure in the New York art and theatre scenes. To become one of his subjects was considered a special honor. Hirschfeld often hide the word “NINA”, the name of his daughter, in the lines of his caricatures.
- Creator:Albert Al Hirschfeld (1903 - 2003, American)
- Dimensions:Height: 26 in (66.04 cm)Width: 21 in (53.34 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Signed Lower Right Provenance: Estate of Frank and Barbara Sinatra.
- Gallery Location:Lambertville, NJ
- Reference Number:1stDibs: LU1573858911
Albert Al Hirschfeld
For nearly 70 years, Al Hirschfeld created iconic caricatures of theater, film and television celebrities, capturing moments in time and documenting U.S. entertainment history in the process. Art historian Lloyd Goodrich called Hirschfeld “one of the few masters of graphic humor.” "New York Times" art critic John Russell dubbed him “the Fred Astaire of pen and ink.” Brendan Gill of "The New Yorker" stated, “To be a star on Broadway is to be drawn by Hirschfeld.” And many performers believed that, regardless of any other accolades they might achieve, “if Al Hirschfeld hasn’t drawn you, you don’t exist.” Hirschfeld began his career as a political cartoonist and became a theater caricaturist for "The New York Times" in 1925. He began creating his pure line drawings on a trip to Bali in the 1930s, and, over the course of his career, mastered the technique of using lines to capture the spirit and personality of his subjects. Hidden in each drawing is his daughter’s name, Nina, and so many people became obsessed with finding all of the Nina’s, that he developed a system of noting the number of Nina’s in each work next to his signature. In addition to "The New Yorker" and "The New York Times," Hirschfeld’s drawings appeared on playbills and posters as well as in advertisements. As a result of his work, he earned two Tony awards for lifetime achievement in theater and had a Broadway theater renamed in his honor.
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