Tiffany Studios New York "Parasol" Chandelier

Rippling undulations in gold iridescence and soft, organic lines dominate this ethereal but weighty composition, an exceptional example of a Tiffany Studios New York "Turtleback Tile" chandelier. Three tiers of vertically oriented rectangular Turtleback tiles with rounded corners graduate in size, with substantially sized tiles decorating the bottom-most tier and the apex of the domed shade featuring tightly clustered tiles in miniature. Sumptuous and romantically uneven borders frame each tile, accentuating their unique silhouettes and adding a dark, matte element to contrast the bright, shimmering gold that dominates the shade. Item #: L-20333 Artist: Tiffany Studios New York Country: United States Circa: 1900 Size: 18.5" diameter Materials: Patinated Bronze, Leaded Glass Signed: "Tiffany Studios" Literature: A similar chandelier is pictured in Tiffany Lamps and Metalware: An illustrated reference to over 2000 models by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors' Club, 1988, p. 281, plate 109 Macklowe Gallery Curators notes: he same model was on display at the Cooper Hewitt Museum's Passion for the Exotic: Louis Comfort Tiffany and Lockwood De Forest...

The "Belted Turtleback" Chandelier by Tiffany Studios New York is a refined study in monochromatic expression. Separated into three distinct tiers, the conical lamp shade offers a ma...

This enchanting pair of Tiffany Studios New York "hanging globe" chandeliers are composed of two reticulated glass shades. Tiffany’s idea of blowing glass through openwork bronze had evolved in the 1890s with a series of Byzantine revival fuel lamps. The technique was popularized by 19th-century Muranese Glassmakers Salvati as a derivation of the Ancient Roman cage cup (vasa diatreta). In the 4th century, Roman glassmakers encased blown glass vessels in a delicate cage of glass. In Tiffany’s version, glass is blown through an ogival pattern cage. Originating in 11th-century Byzantine textiles, the ogival pattern became established in Italy, Ottoman Turkey, North Africa, and as far west as the Balkans. Product Details: Item #: L-20851 Artist: Tiffany Studios New York Country: United States Circa: 1900 Dimensions: 7.5” length, 18" length (with chain) Materials: Favrile Glass, bronze Literature: A similar example is pictured in Tiffany Lamps and Metalware by Alastair Duncan, pg 290, illustration number 135. Macklowe Gallery Curator's Notes: Tiffany’s globe...

This unique Tiffany Studios New York Favrile glass and bronze "Prism" ceiling light fixture, featuring a large decorated center glass shade, surrounded by a circular row of grandiose...

This Tiffany Studios New York "Five-Light" chandelier, features five golden iridescent Favrile tulip shades suspended along with loosely interlocking, heavy circular gilt bronze link...

Tiffany’s “Peony” table lamp was a work grounded in naturalism but reaching for the divine. With a shade of resplendent blooms and a mosaic base evoking the hallowed ground of church floors, Tiffany’s peony lamp demonstrates his foundation in both Art nouveau and ecclesiastical art. To depict his multi-hued bouquet, Tiffany depicted two different cultivars, a Greek peony, and a Japanese peony. Tiffany used burgundy glass streaked with lapis to express the richness of the Greek Peony. Favored by neoclassical artists for their symmetry and simplicity, Tiffany featured the bloom in the architecture of his country estate. To represent the candy-striped Japanese peony Shima Nishiki, Tiffany used cream glass streaked with fuschia. The shade elegantly depicts different stages of growth from the bud, first bloom, peak bloom, to wilting. When peony petals wilt, their veins darken, and their form puckers. Tiffany’s glass selectors chose a stone textured glass called granite glass to express the wilting of the petals and their pronounced venation. The background and border of the shade is a golden amber, streaked with magenta and blue. The top-down perspective of the peony with a dirt background was a type of painting called “Rasenstück”, a detailed study of a piece of turf. The crux of the Rasenstück was the elevation of the humble. Popularized in the nineteenth century by the American Pre-Raphaelites, the movement believed in the idea of "truth to nature". The principle encouraged painters to capture the natural world as truthfully as possible, not romanticizing what they saw. In these nature studies, painters depicted flowers and trees in the soil from which they grew. While sublime on its own, the shade and base taken together paint a picture of Tiffany’s Japanese garden. Peonies imported from the far east bordered serene ponds. A frieze of turtleback tiles hypnotizes the viewers with its scarlet glow, evoking the red flash of a sunset, as seen through a field of cattails, rendered in bronze. Below it, the row of cat tails blends into a mosaic of red, yellow, and green glass. While Tiffany’s chief designer Clara Driscoll is most famous for her naturalistic lamp designs, the bread and butter of Tiffany Studios was its ecclesiastical department. Red, yellow, and green colorways were widely used in the depiction of Baroque angels, whose wings were modeled after birds of paradise. As hunters removed their legs upon sale, many believed they neither ate nor drank, and instead floated ethereally like angels. A lamp such as this epitomizes Tiffany’s understanding of his artistic vision in the context of the entire history of artistic expression. Since falling in love with glass at age twelve in the cathedrals of Chartres, light itself became a representation of divinity. A contemporary critic described Tiffany’s mosaics...

Typical New York Art Deco chandelier, painted metal, length custom-made Suitable for the US.

Equalizer was conceived as an exercise in the defining architectural spaces. Taking inspiration from a room divider, the collection’s vertical framework undulates through an environm...

Typical New York, Art Deco chandelier, painted metal.

Elevate the ambiance of any room with the exquisite Four-Tier Otto Luce Chandelier by Cartwright New York, USA 2021. Crafted with precision and elegance, this stunning chandelier features a hand milled solid brass with hand blown bowls shades wrapped in 18k Japanese gold foil...

Founder Noel Hilliard was inspired to push both age old materials of glass and bronze into new and interesting forms. The Parasol pendant was designed ...

Tiffany Studios A 'Curtain Border' leaded glass and bronze chandelier, circa 1910 Measures: 24 in. (61 cm.) diameter stamped Tiffany Studios Proven...