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Fight By His Side - War Bond Poster

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  • Large Early Folk Art Lincoln
    Located in Peekskill, NY
    The wood carving on this life-size Lincoln is amazing with a beautiful patina. It came out of a good Connecticut Folk Art collection. The body is primitive and was made to be covered...
    Category

    Antique Mid-19th Century American Folk Art Political and Patriotic Memor...

    Materials

    Wood

  • 1890s Minstrel Poster
    Located in Peekskill, NY
    1890s-early 1900s by the Donaldson Litho Co. of Newport, KY. "Al G. Field Big Minstrels - Dan Quinlan Poster has inset image of Field in upper left-hand corner. Main image of poster ...
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    Antique Late 19th Century Other Posters

  • Original 1902 American Playhouse Poster
    By U.S. Litho Company
    Located in Peekskill, NY
    This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over a 100 years. About the poster: You'd think that a play called 'The New Baby' might feature said child in its promotional material. But here's the thing, there really isn't a baby at the center of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf - cleverly called the Baby's 'chaperone' on the poster - and his troupe of travelling players, that understated review was translated into the more American howling success'. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation.' At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theatres, and many more would be built within the next decade to meet growing audience demand. New York's exploding population was also enjoying increased mobility. In 1904, the city opened its first underground commuter railroad lines. Thanks to these 'subways,' tens of thousands living far from the theatre district could catch a Broadway show and still sleep in their own beds. Add in the ever-increasing numbers of tourists who came into the city by rail and steamship, and it was easy to see why Broadway could now support more productions and longer runs than ever before.' We believe this magnificent and awe inspiring poster typifies the best of musical history and musical posters...
    Category

    Early 20th Century American Art Nouveau Posters

    Materials

    Paper

  • 1900 Three-Sheet Theater Poster
    By Russell-Morgan Co. 1
    Located in Peekskill, NY
    This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over 100 years. This is a rare and impressive 3 sheet poster that is 7 foot tall. It make quite a statement. About the poster: You'd think that a play called "The New Baby" might feature said child in its promotional material. But here's the thing - there really isn't a baby at the centre of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf cleverly called the Baby's chaperone on the poster and his troupe of traveling players, that understated review was translated into the more American howling success. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation. At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theaters...
    Category

    Antique Early 1900s American American Craftsman Posters

    Materials

    Paper

    1900 Three-Sheet Theater Poster
    $1,400 Sale Price
    43% Off
  • Large 1800s French Cabaret Poster
    Located in Peekskill, NY
    This is a rare and early French poster for a Concert Cabaret. The image has a full length female harlequin with doll and a second clown lurking behind. Art is by H. Gray and poster r...
    Category

    Antique Late 19th Century French Other Posters

    Materials

    Paper

  • Winslow Health & Hygiene Poster, Dental Hygiene
    By Denoyer-Geppert
    Located in Peekskill, NY
    This is one of the best posters from the 1930s Winslow classroom series. The graphics are Silhouette against a dramatic black background... unique to these posters. Black was used so...
    Category

    Early 20th Century American Industrial Posters

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  • Fight with National War Bonds Vintage British WWI Poster, Circa 1917-18
    Located in Colorado Springs, CO
    This is a vintage British WWI Poster, urging viewers to "Fight with National War Bonds." The poster features a woman in classical robes, hosting a British flag in an outstretched hand, with an impassioned and urgent look on her face. The poster was printed in England by Hill, Siffkin, & Co, circa 1917-1918. During WWII, England relied heavily on the willingness of its citizens to lend money...
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    Vintage 1910s Posters

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  • Antique World War 2 Bruce Stapleton 'Victory Bonds' Patriotic Framed Poster
    Located in Hamilton, Ontario
    This WW2 patriotic 'Victory Bonds' poster shows no printers signature, but the original image was done by Bruce Stapleton for the Canadian war effort in app...
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    Mid-20th Century Canadian Art Deco Political and Patriotic Memorabilia

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  • "The Second World War, " by Winston Churchill
    By Houghton Mifflin & Co.
    Located in Austin, TX
    The Second World War by Winston Churchill from Houghton-Mifflin Company, Boston. A vintage edition of Winston Churchill's six-volume memoir, The Second World War, for which he was a...
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    Mid-20th Century American Modern Books

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    Paper

  • Mr. Dooley at His Best, by Finley Peter Dunne Edited by Elmer Ellis
    Located in valatie, NY
    Mr. Dooley at His Best. Edited by Elmer Ellis at the University of Missouri. With a Foreword by Franklin P. Adams. New York: Charles Scribner's Sons, 1938. First edition, 1st printing, one of 520 copies with one page of the author's original manuscript. Frontispiece portrait. 291 pp. Buckram and decorated boards with a leather label. Finley Peter Dunne (1867- 1936) was an American humorist and writer from Chicago. In 1898 Dunne published Mr. Dooley in Peace and in War, a collection of his nationally syndicated Mr. Dooley sketches. Speaking with the thick verbiage and accent of an Irish immigrant from County Roscommon, the fictional Mr. Dooley expounded upon political and social issues of the day from his South Side Chicago Irish pub...
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    Vintage 1930s American Books

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    Paper

  • "Rally Freemen!..." Civil War Recruitment Broadside
    Located in York County, PA
    "RALLY FREEMEN! …COME ONE! COME ALL! AND SHOW YOUR LOVE FOR THE BEST COUNTRY ON THE FACE OF THE EARTH." A CIVIL WAR RECRUITMENT BROADSIDE FOR THE...
    Category

    Antique 1860s American Political and Patriotic Memorabilia

    Materials

    Paper

  • Civil War Apron, Made In Cambridge, OH by Laura, Hynes, ca 1861
    Located in York County, PA
    CIVIL WAR PERIOD APRON, MADE IN CAMBRIDGE, OHIO IN 1861 BY 12-YEAR-OLD LAURA HAYNES, WORN BY HER AT BENEFITS FOR THE U.S. SANITARY COMMISSION, PREDECESSOR OF THE RED CROSS, THAT STAFFED, FUNDED, AND MODERNIZED CIVIL WAR HOSPITALS Laura Haynes was born on the 17th of June, 1847 to Vincent and Sarah (Dillon) Haynes of Westland, Ohio (southeast of Columbus and due south of Zanesville). Vincent was listed as a physician in the 1850 U.S. Census, then as a lawyer in 1860, apparently having pursued both fields. It stands to reason that that during the Civil War (1861-1865), the Haynes family, being of means and with Vincent involved in the medical profession, might become involved in philanthropy to benefit Civil War hospitals. Made of plain weave cotton, this patriotic apron features 18 white, appliquéd, hand-sewn stars on a blue ground, cinched at the waist, with a blue belt incorporated below, followed by 13 vertical stripes, alternating red and white, likewise cinched, so that top and bottom have opposing triangular profiles. Aprons of this period did not generally have a loop or tie that went about the neck, to keep the breast portion up, but were rather pinned in place. All of the construction was accomplished by hand-stitching. One can see in the more crude stitching of the stars, how much more difficult it was to perform appliqué work than it was to hem fabric, especially for a 12-year-old girl. While the count of 18 stars may have had no purpose other than to fill the available space, to create a patriotic display, it may just as likely have been selected to reflect the number of states that were felt to be loyal to the Union at the time. Until July 4th, 1861, there were officially 33 stars on the American national flag. This, less the entire complement of 15 Slave States, would arrive at a count of 18. President Abraham Lincoln urged the nation not to do this, desiring not to give credence to secession, with his goal of keeping the Union together. But there were no flag police and people did as they wished, creating versions of the Stars & Stripes in both the North and the South that removed those the respective maker(s) deemed loyal to the opposition. Although rare, a number of American flags of the Civil War era are known that display 18 stars, likely to reflect the removal of 15 Southern States. In the upper center of the striped portion of the apron is a fraternal ribbon, made of blue satin silk, with a white metal brooch at the top and a gold button with an eagle below. This is decorated with a printed 13 star flag ribbon (applied), and with gilded text that reads: “The Women and Girl Workers of the Civil War; ’61-’65.” Next to this is the membership badge of the Women’s Relief Corp, which served as the women’s auxiliary of the Grand Army of the Republic, the primary organization for Civil War veterans. Below these, a hand-lettered exhibition tag was adhered, that reads as follows: “Made in 1861 at Cambridge Ohio by Laura Haynes; Age 12 Years; and Worn at Benefits for the Sanitary Commission [The Red Cross of 1861-5],” Followed by “Laura H. Green; Hotel St Mark; Oakland Calf.” Along the bottom of the tag is a brief title: “Flag-Apron of 1861-5,” with a circled item number “27.” The Sanitary Commission was founded in the Spring of 1861 by private citizens in New York City, who were appalled by the Army’s lack of medical supplies and sanitary conditions in the care of Civil War soldiers. Officially sanctioned by the War Department on June 9th of that year, and approved by Abraham Lincoln on June 13th, the chief planner and organizer was Boston-born writer and Harvard-educated clergyman, Henry Whitney Bellows of New York (b. 1814, d. 1882). Bellows modeled the organization after the work of Florence Nightingale in the British Sanitary Commission of the 1850’s, and brought with him a force of volunteers belonging to an organization he led called the Woman’s Central Association of Relief of New York. In 1863, Bellows would become one of the four founders of the Union League Club of New York, with fellow Sanitary Commission leaders Frederick Law Olmsted (the designer of Central Park, considered to be the father of modern landscape architecture,) plus George Templeton Strong (American composer, painter, lawyer, and prolific diarist), and Oliver Wolcott Gibbs (Harvard professor, chemist, and physician). The goal of the Union League Club was to join like-minded and influential, moneyed men with the cause of both the Commission and the Union in general. In 1881, Sanitary Commission nurse Clara Barton would carry the torch forward, expanding upon the concept to form the Red Cross. Sanitary Fairs—large, fundraising events held to benefit the Commission—were held in New York, Philadelphia, Baltimore, Chicago, St. Louis, and elsewhere. The Northern Ohio Sanitary Fair was almost certainly attended by Laura Haynes, 16 years old by that time, who is likely to have worn the apron there. Held in Cleveland from Feb. 22nd – Mar. 10th, 1864, the fair was opened by Major General James Garfield, future President of the United States, who, it is said, was extremely well received. About 3 years later, on June 11th, 1868, Laura married Robert M. Green of Cambridge, Ohio (northeast of Westland), who shared her June 17th birthday. Born 2 years prior to Laura, in 1846, Robert enlisted as a Corporal with “A” company of the 85th Ohio Infantry, a 3-month unit, on May 27th, 1862. Mustering in on June 10th, I Columbus, at Camp Chase, the 85th was assigned to guard Confederate prisoners at the garrison. He mustered out on the 23rd of September. By 1880, Robert & Laura Green had relocated to Oroville, California (Butte County...
    Category

    Antique 1860s American Political and Patriotic Memorabilia

    Materials

    Cotton

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